Video editing and post-production service is the process of manipulating and rearranging video footage, adding special effects, audio tracks, and color correction to create a polished final product. It involves taking raw footage and refining it to create a high-quality video that meets the desired outcome and purpose.
The global market for Video Editing and Post-production Service was estimated to be worth US$ million in 2023 and is forecast to a readjusted size of US$ million by 2030 with a CAGR of % during the forecast period 2024-2030.
The global market for video editing and post-production services is a significant segment within the media and entertainment industry. Video editing and post-production services involve the process of enhancing and refining raw video footage into a polished and professional final product. These services are utilized by various sectors, including film and television production, advertising, corporate communications, online content creation, and more. The United States and Canada have a robust market for video editing and post-production services, driven by the presence of major film and television studios, advertising agencies, and digital content creators. European countries, including the United Kingdom, France, and Germany, have a strong demand for video editing and post-production services in the film, television, and advertising sectors. Countries like India, China, and South Korea are witnessing rapid growth in the media and entertainment industry, leading to an increased demand for video editing and post-production services. The video editing and post-production service market is expected to continue growing as the demand for high-quality, engaging, and visually appealing content remains high. Advances in technology, such as higher resolution formats, virtual reality (VR), and augmented reality (AR), may influence the complexity and scope of post-production services.
Report Scope
This report aims to provide a comprehensive presentation of the global market for Video Editing and Post-production Service, focusing on the total sales revenue, key companies market share and ranking, together with an analysis of Video Editing and Post-production Service by region & country, by Type, and by Application.
The Video Editing and Post-production Service market size, estimations, and forecasts are provided in terms of sales revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. With both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Video Editing and Post-production Service.
麻豆原创 Segmentation
By Company
Deluxe
Panavision
Pixelogic Media
Company 3
PGBS
Reliance Group
Visual Suspect
W膿t膩 FX
MPC
Motion Edits
Video Caddy
Veedyou Media
Kyro
Fiverr
ECG Productions
Segment by Type:
Corporate Video Editing
Social Media Video Editing
Film and TV Editing
Others
Segment by Application
Enterprises
Individual
By Region
North America
United States
Canada
Europe
Germany
France
U.K.
Italy
Russia
Asia-Pacific
China
Japan
South Korea
China Taiwan
Southeast Asia
India
Latin America
Mexico
Brazil
Argentina
Middle East & Africa
Turkey
Saudi Arabia
UAE
Chapter Outline
Chapter 1: Introduces the report scope of the report, global total market size. This chapter also provides the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.
Chapter 2: Detailed analysis of Video Editing and Post-production Service manufacturers competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 3: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 4: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 5: Revenue of Video Editing and Post-production Service in regional level. It provides a quantitative analysis of the market size and development potential of each region and introduces the market development, future development prospects, market space, and market size of each country in the world.
Chapter 6: Revenue of Video Editing and Post-production Service in country level. It provides sigmate data by Type, and by Application for each country/region.
Chapter 7: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product revenue, gross margin, product introduction, recent development, etc.
Chapter 8: Analysis of industrial chain, including the upstream and downstream of the industry.
Chapter 9: Conclusion.
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1 麻豆原创 Overview
1.1 Video Editing and Post-production Service Product Introduction
1.2 Global Video Editing and Post-production Service 麻豆原创 Size Forecast
1.3 Video Editing and Post-production Service 麻豆原创 Trends & Drivers
1.3.1 Video Editing and Post-production Service Industry Trends
1.3.2 Video Editing and Post-production Service 麻豆原创 Drivers & Opportunity
1.3.3 Video Editing and Post-production Service 麻豆原创 Challenges
1.3.4 Video Editing and Post-production Service 麻豆原创 Restraints
1.4 Assumptions and Limitations
1.5 Study Objectives
1.6 Years Considered
2 Competitive Analysis by Company
2.1 Global Video Editing and Post-production Service Players Revenue Ranking (2023)
2.2 Global Video Editing and Post-production Service Revenue by Company (2019-2024)
2.3 Key Companies Video Editing and Post-production Service Manufacturing Base Distribution and Headquarters
2.4 Key Companies Video Editing and Post-production Service Product Offered
2.5 Key Companies Time to Begin Mass Production of Video Editing and Post-production Service
2.6 Video Editing and Post-production Service 麻豆原创 Competitive Analysis
2.6.1 Video Editing and Post-production Service 麻豆原创 Concentration Rate (2019-2024)
2.6.2 Global 5 and 10 Largest Companies by Video Editing and Post-production Service Revenue in 2023
2.6.3 Global Top Companies by Company Type (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Video Editing and Post-production Service as of 2023)
2.7 Mergers & Acquisitions, Expansion
3 Segmentation by Type
3.1 Introduction by Type
3.1.1 Corporate Video Editing
3.1.2 Social Media Video Editing
3.1.3 Film and TV Editing
3.1.4 Others
3.2 Global Video Editing and Post-production Service Sales Value by Type
3.2.1 Global Video Editing and Post-production Service Sales Value by Type (2019 VS 2023 VS 2030)
3.2.2 Global Video Editing and Post-production Service Sales Value, by Type (2019-2030)
3.2.3 Global Video Editing and Post-production Service Sales Value, by Type (%) (2019-2030)
4 Segmentation by Application
4.1 Introduction by Application
4.1.1 Enterprises
4.1.2 Individual
4.2 Global Video Editing and Post-production Service Sales Value by Application
4.2.1 Global Video Editing and Post-production Service Sales Value by Application (2019 VS 2023 VS 2030)
4.2.2 Global Video Editing and Post-production Service Sales Value, by Application (2019-2030)
4.2.3 Global Video Editing and Post-production Service Sales Value, by Application (%) (2019-2030)
5 Segmentation by Region
5.1 Global Video Editing and Post-production Service Sales Value by Region
5.1.1 Global Video Editing and Post-production Service Sales Value by Region: 2019 VS 2023 VS 2030
5.1.2 Global Video Editing and Post-production Service Sales Value by Region (2019-2024)
5.1.3 Global Video Editing and Post-production Service Sales Value by Region (2025-2030)
5.1.4 Global Video Editing and Post-production Service Sales Value by Region (%), (2019-2030)
5.2 North America
5.2.1 North America Video Editing and Post-production Service Sales Value, 2019-2030
5.2.2 North America Video Editing and Post-production Service Sales Value by Country (%), 2023 VS 2030
5.3 Europe
5.3.1 Europe Video Editing and Post-production Service Sales Value, 2019-2030
5.3.2 Europe Video Editing and Post-production Service Sales Value by Country (%), 2023 VS 2030
5.4 Asia Pacific
5.4.1 Asia Pacific Video Editing and Post-production Service Sales Value, 2019-2030
5.4.2 Asia Pacific Video Editing and Post-production Service Sales Value by Country (%), 2023 VS 2030
5.5 South America
5.5.1 South America Video Editing and Post-production Service Sales Value, 2019-2030
5.5.2 South America Video Editing and Post-production Service Sales Value by Country (%), 2023 VS 2030
5.6 Middle East & Africa
5.6.1 Middle East & Africa Video Editing and Post-production Service Sales Value, 2019-2030
5.6.2 Middle East & Africa Video Editing and Post-production Service Sales Value by Country (%), 2023 VS 2030
6 Segmentation by Key Countries/Regions
6.1 Key Countries/Regions Video Editing and Post-production Service Sales Value Growth Trends, 2019 VS 2023 VS 2030
6.2 Key Countries/Regions Video Editing and Post-production Service Sales Value
6.3 United States
6.3.1 United States Video Editing and Post-production Service Sales Value, 2019-2030
6.3.2 United States Video Editing and Post-production Service Sales Value by Type (%), 2023 VS 2030
6.3.3 United States Video Editing and Post-production Service Sales Value by Application, 2023 VS 2030
6.4 Europe
6.4.1 Europe Video Editing and Post-production Service Sales Value, 2019-2030
6.4.2 Europe Video Editing and Post-production Service Sales Value by Type (%), 2023 VS 2030
6.4.3 Europe Video Editing and Post-production Service Sales Value by Application, 2023 VS 2030
6.5 China
6.5.1 China Video Editing and Post-production Service Sales Value, 2019-2030
6.5.2 China Video Editing and Post-production Service Sales Value by Type (%), 2023 VS 2030
6.5.3 China Video Editing and Post-production Service Sales Value by Application, 2023 VS 2030
6.6 Japan
6.6.1 Japan Video Editing and Post-production Service Sales Value, 2019-2030
6.6.2 Japan Video Editing and Post-production Service Sales Value by Type (%), 2023 VS 2030
6.6.3 Japan Video Editing and Post-production Service Sales Value by Application, 2023 VS 2030
6.7 South Korea
6.7.1 South Korea Video Editing and Post-production Service Sales Value, 2019-2030
6.7.2 South Korea Video Editing and Post-production Service Sales Value by Type (%), 2023 VS 2030
6.7.3 South Korea Video Editing and Post-production Service Sales Value by Application, 2023 VS 2030
6.8 Southeast Asia
6.8.1 Southeast Asia Video Editing and Post-production Service Sales Value, 2019-2030
6.8.2 Southeast Asia Video Editing and Post-production Service Sales Value by Type (%), 2023 VS 2030
6.8.3 Southeast Asia Video Editing and Post-production Service Sales Value by Application, 2023 VS 2030
6.9 India
6.9.1 India Video Editing and Post-production Service Sales Value, 2019-2030
6.9.2 India Video Editing and Post-production Service Sales Value by Type (%), 2023 VS 2030
6.9.3 India Video Editing and Post-production Service Sales Value by Application, 2023 VS 2030
7 Company Profiles
7.1 Deluxe
7.1.1 Deluxe Profile
7.1.2 Deluxe Main Business
7.1.3 Deluxe Video Editing and Post-production Service Products, Services and Solutions
7.1.4 Deluxe Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.1.5 Deluxe Recent Developments
7.2 Panavision
7.2.1 Panavision Profile
7.2.2 Panavision Main Business
7.2.3 Panavision Video Editing and Post-production Service Products, Services and Solutions
7.2.4 Panavision Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.2.5 Panavision Recent Developments
7.3 Pixelogic Media
7.3.1 Pixelogic Media Profile
7.3.2 Pixelogic Media Main Business
7.3.3 Pixelogic Media Video Editing and Post-production Service Products, Services and Solutions
7.3.4 Pixelogic Media Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.3.5 Company 3 Recent Developments
7.4 Company 3
7.4.1 Company 3 Profile
7.4.2 Company 3 Main Business
7.4.3 Company 3 Video Editing and Post-production Service Products, Services and Solutions
7.4.4 Company 3 Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.4.5 Company 3 Recent Developments
7.5 PGBS
7.5.1 PGBS Profile
7.5.2 PGBS Main Business
7.5.3 PGBS Video Editing and Post-production Service Products, Services and Solutions
7.5.4 PGBS Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.5.5 PGBS Recent Developments
7.6 Reliance Group
7.6.1 Reliance Group Profile
7.6.2 Reliance Group Main Business
7.6.3 Reliance Group Video Editing and Post-production Service Products, Services and Solutions
7.6.4 Reliance Group Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.6.5 Reliance Group Recent Developments
7.7 Visual Suspect
7.7.1 Visual Suspect Profile
7.7.2 Visual Suspect Main Business
7.7.3 Visual Suspect Video Editing and Post-production Service Products, Services and Solutions
7.7.4 Visual Suspect Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.7.5 Visual Suspect Recent Developments
7.8 W膿t膩 FX
7.8.1 W膿t膩 FX Profile
7.8.2 W膿t膩 FX Main Business
7.8.3 W膿t膩 FX Video Editing and Post-production Service Products, Services and Solutions
7.8.4 W膿t膩 FX Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.8.5 W膿t膩 FX Recent Developments
7.9 MPC
7.9.1 MPC Profile
7.9.2 MPC Main Business
7.9.3 MPC Video Editing and Post-production Service Products, Services and Solutions
7.9.4 MPC Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.9.5 MPC Recent Developments
7.10 Motion Edits
7.10.1 Motion Edits Profile
7.10.2 Motion Edits Main Business
7.10.3 Motion Edits Video Editing and Post-production Service Products, Services and Solutions
7.10.4 Motion Edits Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.10.5 Motion Edits Recent Developments
7.11 Video Caddy
7.11.1 Video Caddy Profile
7.11.2 Video Caddy Main Business
7.11.3 Video Caddy Video Editing and Post-production Service Products, Services and Solutions
7.11.4 Video Caddy Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.11.5 Video Caddy Recent Developments
7.12 Veedyou Media
7.12.1 Veedyou Media Profile
7.12.2 Veedyou Media Main Business
7.12.3 Veedyou Media Video Editing and Post-production Service Products, Services and Solutions
7.12.4 Veedyou Media Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.12.5 Veedyou Media Recent Developments
7.13 Kyro
7.13.1 Kyro Profile
7.13.2 Kyro Main Business
7.13.3 Kyro Video Editing and Post-production Service Products, Services and Solutions
7.13.4 Kyro Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.13.5 Kyro Recent Developments
7.14 Fiverr
7.14.1 Fiverr Profile
7.14.2 Fiverr Main Business
7.14.3 Fiverr Video Editing and Post-production Service Products, Services and Solutions
7.14.4 Fiverr Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.14.5 Fiverr Recent Developments
7.15 ECG Productions
7.15.1 ECG Productions Profile
7.15.2 ECG Productions Main Business
7.15.3 ECG Productions Video Editing and Post-production Service Products, Services and Solutions
7.15.4 ECG Productions Video Editing and Post-production Service Revenue (US$ Million) & (2019-2024)
7.15.5 ECG Productions Recent Developments
8 Industry Chain Analysis
8.1 Video Editing and Post-production Service Industrial Chain
8.2 Video Editing and Post-production Service Upstream Analysis
8.2.1 Key Raw Materials
8.2.2 Raw Materials Key Suppliers
8.2.3 Manufacturing Cost Structure
8.3 Midstream Analysis
8.4 Downstream Analysis (Customers Analysis)
8.5 Sales Model and Sales Channels
8.5.1 Video Editing and Post-production Service Sales Model
8.5.2 Sales Channel
8.5.3 Video Editing and Post-production Service Distributors
9 Research Findings and Conclusion
10 Appendix
10.1 Research Methodology
10.1.1 Methodology/Research Approach
10.1.2 Data Source
10.2 Author Details
10.3 Disclaimer
Deluxe
Panavision
Pixelogic Media
Company 3
PGBS
Reliance Group
Visual Suspect
W膿t膩 FX
MPC
Motion Edits
Video Caddy
Veedyou Media
Kyro
Fiverr
ECG Productions
听
听
*If Applicable.