The global market for Vertical Drama was valued at US$ 4562 million in the year 2024 and is projected to reach a revised size of US$ 8809 million by 2031, growing at a CAGR of 10.0% during the forecast period.
Vertical drama refers to a type of television or video content designed specifically for vertical viewing, typically on smartphones. Unlike traditional horizontal content, vertical drama is filmed and formatted to be viewed in portrait mode, making it more suitable for modern mobile devices. This format has become increasingly popular due to the rise of mobile-first platforms like TikTok, Instagram Stories, and Snapchat. Vertical dramas often have shorter episode lengths and are tailored for quick consumption, appealing to younger, on-the-go audiences who prefer bite-sized content. The storytelling style can vary, but vertical dramas usually focus on fast-paced narratives, social themes, and engaging visuals designed to fit within the vertical frame.
North American market for Vertical Drama is estimated to increase from $ million in 2024 to reach $ million by 2031, at a CAGR of % during the forecast period of 2025 through 2031.
Asia-Pacific market for Vertical Drama is estimated to increase from $ million in 2024 to reach $ million by 2031, at a CAGR of % during the forecast period of 2025 through 2031.
The global market for Vertical Drama in Under 20 Years Old is estimated to increase from $ million in 2024 to $ million by 2031, at a CAGR of % during the forecast period of 2025 through 2031.
The major global companies of Vertical Drama include TikTok, Youku, iQiyi, Linmon, Govmade, Gdinsight, Crazy Maple Studio, Guangdong Advertising Group, Zhejiang Satellite TV, Huacemedia, etc. In 2024, the world's top three vendors accounted for approximately % of the revenue.
This report aims to provide a comprehensive presentation of the global market for Vertical Drama, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Vertical Drama.
The Vertical Drama market size, estimations, and forecasts are provided in terms of and revenue ($ millions), considering 2024 as the base year, with history and forecast data for the period from 2020 to 2031. This report segments the global Vertical Drama market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Vertical Drama companies, new entrants, and industry chain related companies in this market with information on the revenues for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
麻豆原创 Segmentation
By Company
TikTok
Youku
iQiyi
Linmon
Govmade
Gdinsight
Crazy Maple Studio
Guangdong Advertising Group
Zhejiang Satellite TV
Huacemedia
Oriental Pearl Group
Mango Excellent Media
Shengtian
Perfect World
Tangde
China Literature Limited
Beijing Baination Pictures
Foshan Yowant Technology
JMEI Jumei International
Mahua Fun Age
Segment by Type
Urban Drama
Costume Drama
Fantasy Drama
Other
Segment by Application
Under 20 Years Old
20-30 Years Old
30-40 Years Old
40-50 Years Old
50-60 Years Old
Above 60 Years Old
By Region
North America
United States
Canada
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Europe
Germany
France
U.K.
Italy
Russia
Nordic Countries
Rest of Europe
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Vertical Drama company competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.
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1 Report Overview
1.1 Study Scope
1.2 麻豆原创 Analysis by Type
1.2.1 Global Vertical Drama 麻豆原创 Size Growth Rate by Type: 2020 VS 2024 VS 2031
1.2.2 Urban Drama
1.2.3 Costume Drama
1.2.4 Fantasy Drama
1.2.5 Other
1.3 麻豆原创 by Application
1.3.1 Global Vertical Drama 麻豆原创 Growth by Application: 2020 VS 2024 VS 2031
1.3.2 Under 20 Years Old
1.3.3 20-30 Years Old
1.3.4 30-40 Years Old
1.3.5 40-50 Years Old
1.3.6 50-60 Years Old
1.3.7 Above 60 Years Old
1.4 Assumptions and Limitations
1.5 Study Objectives
1.6 Years Considered
2 Global Growth Trends
2.1 Global Vertical Drama 麻豆原创 Perspective (2020-2031)
2.2 Global Vertical Drama Growth Trends by Region
2.2.1 Global Vertical Drama 麻豆原创 Size by Region: 2020 VS 2024 VS 2031
2.2.2 Vertical Drama Historic 麻豆原创 Size by Region (2020-2025)
2.2.3 Vertical Drama Forecasted 麻豆原创 Size by Region (2026-2031)
2.3 Vertical Drama 麻豆原创 Dynamics
2.3.1 Vertical Drama Industry Trends
2.3.2 Vertical Drama 麻豆原创 Drivers
2.3.3 Vertical Drama 麻豆原创 Challenges
2.3.4 Vertical Drama 麻豆原创 Restraints
3 Competition Landscape by Key Players
3.1 Global Top Vertical Drama Players by Revenue
3.1.1 Global Top Vertical Drama Players by Revenue (2020-2025)
3.1.2 Global Vertical Drama Revenue 麻豆原创 Share by Players (2020-2025)
3.2 Global Top Vertical Drama Players by Company Type and 麻豆原创 Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Global Key Players Ranking by Vertical Drama Revenue
3.4 Global Vertical Drama 麻豆原创 Concentration Ratio
3.4.1 Global Vertical Drama 麻豆原创 Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Vertical Drama Revenue in 2024
3.5 Global Key Players of Vertical Drama Head office and Area Served
3.6 Global Key Players of Vertical Drama, Product and Application
3.7 Global Key Players of Vertical Drama, Date of Enter into This Industry
3.8 Mergers & Acquisitions, Expansion Plans
4 Vertical Drama Breakdown Data by Type
4.1 Global Vertical Drama Historic 麻豆原创 Size by Type (2020-2025)
4.2 Global Vertical Drama Forecasted 麻豆原创 Size by Type (2026-2031)
5 Vertical Drama Breakdown Data by Application
5.1 Global Vertical Drama Historic 麻豆原创 Size by Application (2020-2025)
5.2 Global Vertical Drama Forecasted 麻豆原创 Size by Application (2026-2031)
6 North America
6.1 North America Vertical Drama 麻豆原创 Size (2020-2031)
6.2 North America Vertical Drama 麻豆原创 Growth Rate by Country: 2020 VS 2024 VS 2031
6.3 North America Vertical Drama 麻豆原创 Size by Country (2020-2025)
6.4 North America Vertical Drama 麻豆原创 Size by Country (2026-2031)
6.5 United States
6.6 Canada
7 Europe
7.1 Europe Vertical Drama 麻豆原创 Size (2020-2031)
7.2 Europe Vertical Drama 麻豆原创 Growth Rate by Country: 2020 VS 2024 VS 2031
7.3 Europe Vertical Drama 麻豆原创 Size by Country (2020-2025)
7.4 Europe Vertical Drama 麻豆原创 Size by Country (2026-2031)
7.5 Germany
7.6 France
7.7 U.K.
7.8 Italy
7.9 Russia
7.10 Nordic Countries
8 Asia-Pacific
8.1 Asia-Pacific Vertical Drama 麻豆原创 Size (2020-2031)
8.2 Asia-Pacific Vertical Drama 麻豆原创 Growth Rate by Region: 2020 VS 2024 VS 2031
8.3 Asia-Pacific Vertical Drama 麻豆原创 Size by Region (2020-2025)
8.4 Asia-Pacific Vertical Drama 麻豆原创 Size by Region (2026-2031)
8.5 China
8.6 Japan
8.7 South Korea
8.8 Southeast Asia
8.9 India
8.10 Australia
9 Latin America
9.1 Latin America Vertical Drama 麻豆原创 Size (2020-2031)
9.2 Latin America Vertical Drama 麻豆原创 Growth Rate by Country: 2020 VS 2024 VS 2031
9.3 Latin America Vertical Drama 麻豆原创 Size by Country (2020-2025)
9.4 Latin America Vertical Drama 麻豆原创 Size by Country (2026-2031)
9.5 Mexico
9.6 Brazil
10 Middle East & Africa
10.1 Middle East & Africa Vertical Drama 麻豆原创 Size (2020-2031)
10.2 Middle East & Africa Vertical Drama 麻豆原创 Growth Rate by Country: 2020 VS 2024 VS 2031
10.3 Middle East & Africa Vertical Drama 麻豆原创 Size by Country (2020-2025)
10.4 Middle East & Africa Vertical Drama 麻豆原创 Size by Country (2026-2031)
10.5 Turkey
10.6 Saudi Arabia
10.7 UAE
11 Key Players Profiles
11.1 TikTok
11.1.1 TikTok Company Details
11.1.2 TikTok Business Overview
11.1.3 TikTok Vertical Drama Introduction
11.1.4 TikTok Revenue in Vertical Drama Business (2020-2025)
11.1.5 TikTok Recent Development
11.2 Youku
11.2.1 Youku Company Details
11.2.2 Youku Business Overview
11.2.3 Youku Vertical Drama Introduction
11.2.4 Youku Revenue in Vertical Drama Business (2020-2025)
11.2.5 Youku Recent Development
11.3 iQiyi
11.3.1 iQiyi Company Details
11.3.2 iQiyi Business Overview
11.3.3 iQiyi Vertical Drama Introduction
11.3.4 iQiyi Revenue in Vertical Drama Business (2020-2025)
11.3.5 iQiyi Recent Development
11.4 Linmon
11.4.1 Linmon Company Details
11.4.2 Linmon Business Overview
11.4.3 Linmon Vertical Drama Introduction
11.4.4 Linmon Revenue in Vertical Drama Business (2020-2025)
11.4.5 Linmon Recent Development
11.5 Govmade
11.5.1 Govmade Company Details
11.5.2 Govmade Business Overview
11.5.3 Govmade Vertical Drama Introduction
11.5.4 Govmade Revenue in Vertical Drama Business (2020-2025)
11.5.5 Govmade Recent Development
11.6 Gdinsight
11.6.1 Gdinsight Company Details
11.6.2 Gdinsight Business Overview
11.6.3 Gdinsight Vertical Drama Introduction
11.6.4 Gdinsight Revenue in Vertical Drama Business (2020-2025)
11.6.5 Gdinsight Recent Development
11.7 Crazy Maple Studio
11.7.1 Crazy Maple Studio Company Details
11.7.2 Crazy Maple Studio Business Overview
11.7.3 Crazy Maple Studio Vertical Drama Introduction
11.7.4 Crazy Maple Studio Revenue in Vertical Drama Business (2020-2025)
11.7.5 Crazy Maple Studio Recent Development
11.8 Guangdong Advertising Group
11.8.1 Guangdong Advertising Group Company Details
11.8.2 Guangdong Advertising Group Business Overview
11.8.3 Guangdong Advertising Group Vertical Drama Introduction
11.8.4 Guangdong Advertising Group Revenue in Vertical Drama Business (2020-2025)
11.8.5 Guangdong Advertising Group Recent Development
11.9 Zhejiang Satellite TV
11.9.1 Zhejiang Satellite TV Company Details
11.9.2 Zhejiang Satellite TV Business Overview
11.9.3 Zhejiang Satellite TV Vertical Drama Introduction
11.9.4 Zhejiang Satellite TV Revenue in Vertical Drama Business (2020-2025)
11.9.5 Zhejiang Satellite TV Recent Development
11.10 Huacemedia
11.10.1 Huacemedia Company Details
11.10.2 Huacemedia Business Overview
11.10.3 Huacemedia Vertical Drama Introduction
11.10.4 Huacemedia Revenue in Vertical Drama Business (2020-2025)
11.10.5 Huacemedia Recent Development
11.11 Oriental Pearl Group
11.11.1 Oriental Pearl Group Company Details
11.11.2 Oriental Pearl Group Business Overview
11.11.3 Oriental Pearl Group Vertical Drama Introduction
11.11.4 Oriental Pearl Group Revenue in Vertical Drama Business (2020-2025)
11.11.5 Oriental Pearl Group Recent Development
11.12 Mango Excellent Media
11.12.1 Mango Excellent Media Company Details
11.12.2 Mango Excellent Media Business Overview
11.12.3 Mango Excellent Media Vertical Drama Introduction
11.12.4 Mango Excellent Media Revenue in Vertical Drama Business (2020-2025)
11.12.5 Mango Excellent Media Recent Development
11.13 Shengtian
11.13.1 Shengtian Company Details
11.13.2 Shengtian Business Overview
11.13.3 Shengtian Vertical Drama Introduction
11.13.4 Shengtian Revenue in Vertical Drama Business (2020-2025)
11.13.5 Shengtian Recent Development
11.14 Perfect World
11.14.1 Perfect World Company Details
11.14.2 Perfect World Business Overview
11.14.3 Perfect World Vertical Drama Introduction
11.14.4 Perfect World Revenue in Vertical Drama Business (2020-2025)
11.14.5 Perfect World Recent Development
11.15 Tangde
11.15.1 Tangde Company Details
11.15.2 Tangde Business Overview
11.15.3 Tangde Vertical Drama Introduction
11.15.4 Tangde Revenue in Vertical Drama Business (2020-2025)
11.15.5 Tangde Recent Development
11.16 China Literature Limited
11.16.1 China Literature Limited Company Details
11.16.2 China Literature Limited Business Overview
11.16.3 China Literature Limited Vertical Drama Introduction
11.16.4 China Literature Limited Revenue in Vertical Drama Business (2020-2025)
11.16.5 China Literature Limited Recent Development
11.17 Beijing Baination Pictures
11.17.1 Beijing Baination Pictures Company Details
11.17.2 Beijing Baination Pictures Business Overview
11.17.3 Beijing Baination Pictures Vertical Drama Introduction
11.17.4 Beijing Baination Pictures Revenue in Vertical Drama Business (2020-2025)
11.17.5 Beijing Baination Pictures Recent Development
11.18 Foshan Yowant Technology
11.18.1 Foshan Yowant Technology Company Details
11.18.2 Foshan Yowant Technology Business Overview
11.18.3 Foshan Yowant Technology Vertical Drama Introduction
11.18.4 Foshan Yowant Technology Revenue in Vertical Drama Business (2020-2025)
11.18.5 Foshan Yowant Technology Recent Development
11.19 JMEI Jumei International
11.19.1 JMEI Jumei International Company Details
11.19.2 JMEI Jumei International Business Overview
11.19.3 JMEI Jumei International Vertical Drama Introduction
11.19.4 JMEI Jumei International Revenue in Vertical Drama Business (2020-2025)
11.19.5 JMEI Jumei International Recent Development
11.20 Mahua Fun Age
11.20.1 Mahua Fun Age Company Details
11.20.2 Mahua Fun Age Business Overview
11.20.3 Mahua Fun Age Vertical Drama Introduction
11.20.4 Mahua Fun Age Revenue in Vertical Drama Business (2020-2025)
11.20.5 Mahua Fun Age Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.1.1 Research Programs/Design
13.1.1.2 麻豆原创 Size Estimation
13.1.1.3 麻豆原创 Breakdown and Data Triangulation
13.1.2 Data Source
13.1.2.1 Secondary Sources
13.1.2.2 Primary Sources
13.2 Author Details
13.3 Disclaimer
TikTok
Youku
iQiyi
Linmon
Govmade
Gdinsight
Crazy Maple Studio
Guangdong Advertising Group
Zhejiang Satellite TV
Huacemedia
Oriental Pearl Group
Mango Excellent Media
Shengtian
Perfect World
Tangde
China Literature Limited
Beijing Baination Pictures
Foshan Yowant Technology
JMEI Jumei International
Mahua Fun Age
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*If Applicable.