Spectacle Frames, or glasses frames are usually made of different materials, including acetate, TR90, titanium, monel, stainless steel, aluminum. Of course also the combination with different materials. This report focuses on spectacle frames that are divided into full-frame, half-frame and frameless frames.
The global Spectacle Frame market was valued at US$ million in 2023 and is anticipated to reach US$ million by 2030, witnessing a CAGR of % during the forecast period 2024-2030.
North American market for Spectacle Frame is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
Asia-Pacific market for Spectacle Frame is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
The major global manufacturers of Spectacle Frame include Rodenstock (Germany), Shuron (US), Luxottica (Italy), Safilo Group (Italy), Seiko (Japan), Oakley (US), NIKON (Japan), Banton Frameworks (UK) and Clive & Wally Eyewear (Australia), etc. In 2023, the world's top three vendors accounted for approximately % of the revenue.
This report aims to provide a comprehensive presentation of the global market for Spectacle Frame, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Spectacle Frame.
Report Scope
The Spectacle Frame market size, estimations, and forecasts are provided in terms of sales volume (K Units) and revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. This report segments the global Spectacle Frame market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Spectacle Frame manufacturers, new entrants, and industry chain related companies in this market with information on the revenues, sales volume, and average price for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
麻豆原创 Segmentation
By Company
Rodenstock (Germany)
Shuron (US)
Luxottica (Italy)
Safilo Group (Italy)
Seiko (Japan)
Oakley (US)
NIKON (Japan)
Banton Frameworks (UK)
Clive & Wally Eyewear (Australia)
Optoplast Actman Eyewear (UK)
Modo Eyewear (US)
Charmant (Japan)
Maui Jim (US)
Montblanc (Germany)
Silhouette (Austria)
Persol (Italy)
Vera Bradley (US)
PARIM (China)
Parim Optical (China)
Shanghai EFE Eyewear Corp (China)
Molsion (China)
Segment by Type
Full Rim Frames
Half-Rim Frames
Rimless Frames
Segment by Application
Men
Women
Kids
Consumption by Region
North America
U.S.
Canada
Europe
Germany
France
U.K.
Italy
Russia
Asia-Pacific
China
Japan
South Korea
India
Australia
Taiwan
Indonesia
Thailand
Malaysia
Philippines
Vietnam
Latin America
Mexico
Brazil
Argentina
Middle East & Africa
Turkey
Saudi Arabia
U.A.E
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by region, by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Detailed analysis of Spectacle Frame manufacturers competitive landscape, price, sales and revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 3: Sales, revenue of Spectacle Frame in regional level and country level. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and market size of each country in the world.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 7: Analysis of industrial chain, including the upstream and downstream of the industry.
Chapter 8: Introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.
Chapter 9: The main points and conclusions of the report.
Please Note - This is an on demand report and will be delivered in 2 business days (48 hours) post payment.
1 Spectacle Frame 麻豆原创 Overview
1.1 Product Overview and Scope of Spectacle Frame
1.2 Spectacle Frame Segment by Type
1.2.1 Global Spectacle Frame 麻豆原创 Value Comparison by Type (2024-2030)
1.2.2 Full Rim Frames
1.2.3 Half-Rim Frames
1.2.4 Rimless Frames
1.3 Spectacle Frame Segment by Application
1.3.1 Global Spectacle Frame 麻豆原创 Value by Application: (2024-2030)
1.3.2 Men
1.3.3 Women
1.3.4 Kids
1.4 Global Spectacle Frame 麻豆原创 Size Estimates and Forecasts
1.4.1 Global Spectacle Frame Revenue 2019-2030
1.4.2 Global Spectacle Frame Sales 2019-2030
1.4.3 Global Spectacle Frame 麻豆原创 Average Price (2019-2030)
1.5 Assumptions and Limitations
2 Spectacle Frame 麻豆原创 Competition by Manufacturers
2.1 Global Spectacle Frame Sales 麻豆原创 Share by Manufacturers (2019-2024)
2.2 Global Spectacle Frame Revenue 麻豆原创 Share by Manufacturers (2019-2024)
2.3 Global Spectacle Frame Average Price by Manufacturers (2019-2024)
2.4 Global Spectacle Frame Industry Ranking 2022 VS 2023 VS 2024
2.5 Global Key Manufacturers of Spectacle Frame, Manufacturing Sites & Headquarters
2.6 Global Key Manufacturers of Spectacle Frame, Product Type & Application
2.7 Spectacle Frame 麻豆原创 Competitive Situation and Trends
2.7.1 Spectacle Frame 麻豆原创 Concentration Rate
2.7.2 The Global Top 5 and Top 10 Largest Spectacle Frame Players 麻豆原创 Share by Revenue
2.7.3 Global Spectacle Frame 麻豆原创 Share by Company Type (Tier 1, Tier 2 and Tier 3)
2.8 Manufacturers Mergers & Acquisitions, Expansion Plans
3 Spectacle Frame Retrospective 麻豆原创 Scenario by Region
3.1 Global Spectacle Frame 麻豆原创 Size by Region: 2019 Versus 2023 Versus 2030
3.2 Global Spectacle Frame Global Spectacle Frame Sales by Region: 2019-2030
3.2.1 Global Spectacle Frame Sales by Region: 2019-2024
3.2.2 Global Spectacle Frame Sales by Region: 2025-2030
3.3 Global Spectacle Frame Global Spectacle Frame Revenue by Region: 2019-2030
3.3.1 Global Spectacle Frame Revenue by Region: 2019-2024
3.3.2 Global Spectacle Frame Revenue by Region: 2025-2030
3.4 North America Spectacle Frame 麻豆原创 Facts & Figures by Country
3.4.1 North America Spectacle Frame 麻豆原创 Size by Country: 2019 VS 2023 VS 2030
3.4.2 North America Spectacle Frame Sales by Country (2019-2030)
3.4.3 North America Spectacle Frame Revenue by Country (2019-2030)
3.4.4 U.S.
3.4.5 Canada
3.5 Europe Spectacle Frame 麻豆原创 Facts & Figures by Country
3.5.1 Europe Spectacle Frame 麻豆原创 Size by Country: 2019 VS 2023 VS 2030
3.5.2 Europe Spectacle Frame Sales by Country (2019-2030)
3.5.3 Europe Spectacle Frame Revenue by Country (2019-2030)
3.5.4 Germany
3.5.5 France
3.5.6 U.K.
3.5.7 Italy
3.5.8 Russia
3.6 Asia Pacific Spectacle Frame 麻豆原创 Facts & Figures by Country
3.6.1 Asia Pacific Spectacle Frame 麻豆原创 Size by Country: 2019 VS 2023 VS 2030
3.6.2 Asia Pacific Spectacle Frame Sales by Country (2019-2030)
3.6.3 Asia Pacific Spectacle Frame Revenue by Country (2019-2030)
3.6.4 China
3.6.5 Japan
3.6.6 South Korea
3.6.7 India
3.6.8 Australia
3.6.9 Taiwan
3.6.10 Indonesia
3.6.11 Thailand
3.6.12 Malaysia
3.6.13 Philippines
3.7 Latin America Spectacle Frame 麻豆原创 Facts & Figures by Country
3.7.1 Latin America Spectacle Frame 麻豆原创 Size by Country: 2019 VS 2023 VS 2030
3.7.2 Latin America Spectacle Frame Sales by Country (2019-2030)
3.7.3 Latin America Spectacle Frame Revenue by Country (2019-2030)
3.7.4 Mexico
3.7.5 Brazil
3.7.6 Argentina
3.8 Middle East and Africa Spectacle Frame 麻豆原创 Facts & Figures by Country
3.8.1 Middle East and Africa Spectacle Frame 麻豆原创 Size by Country: 2019 VS 2023 VS 2030
3.8.2 Middle East and Africa Spectacle Frame Sales by Country (2019-2030)
3.8.3 Middle East and Africa Spectacle Frame Revenue by Country (2019-2030)
3.8.4 Turkey
3.8.5 Saudi Arabia
3.8.6 U.A.E
4 Segment by Type
4.1 Global Spectacle Frame Sales by Type (2019-2030)
4.1.1 Global Spectacle Frame Sales by Type (2019-2024)
4.1.2 Global Spectacle Frame Sales by Type (2025-2030)
4.1.3 Global Spectacle Frame Sales 麻豆原创 Share by Type (2019-2030)
4.2 Global Spectacle Frame Revenue by Type (2019-2030)
4.2.1 Global Spectacle Frame Revenue by Type (2019-2024)
4.2.2 Global Spectacle Frame Revenue by Type (2025-2030)
4.2.3 Global Spectacle Frame Revenue 麻豆原创 Share by Type (2019-2030)
4.3 Global Spectacle Frame Price by Type (2019-2030)
5 Segment by Application
5.1 Global Spectacle Frame Sales by Application (2019-2030)
5.1.1 Global Spectacle Frame Sales by Application (2019-2024)
5.1.2 Global Spectacle Frame Sales by Application (2025-2030)
5.1.3 Global Spectacle Frame Sales 麻豆原创 Share by Application (2019-2030)
5.2 Global Spectacle Frame Revenue by Application (2019-2030)
5.2.1 Global Spectacle Frame Revenue by Application (2019-2024)
5.2.2 Global Spectacle Frame Revenue by Application (2025-2030)
5.2.3 Global Spectacle Frame Revenue 麻豆原创 Share by Application (2019-2030)
5.3 Global Spectacle Frame Price by Application (2019-2030)
6 Key Companies Profiled
6.1 Rodenstock (Germany)
6.1.1 Rodenstock (Germany) Corporation Information
6.1.2 Rodenstock (Germany) Description and Business Overview
6.1.3 Rodenstock (Germany) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.1.4 Rodenstock (Germany) Spectacle Frame Product Portfolio
6.1.5 Rodenstock (Germany) Recent Developments/Updates
6.2 Shuron (US)
6.2.1 Shuron (US) Corporation Information
6.2.2 Shuron (US) Description and Business Overview
6.2.3 Shuron (US) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.2.4 Shuron (US) Spectacle Frame Product Portfolio
6.2.5 Shuron (US) Recent Developments/Updates
6.3 Luxottica (Italy)
6.3.1 Luxottica (Italy) Corporation Information
6.3.2 Luxottica (Italy) Description and Business Overview
6.3.3 Luxottica (Italy) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.3.4 Luxottica (Italy) Spectacle Frame Product Portfolio
6.3.5 Luxottica (Italy) Recent Developments/Updates
6.4 Safilo Group (Italy)
6.4.1 Safilo Group (Italy) Corporation Information
6.4.2 Safilo Group (Italy) Description and Business Overview
6.4.3 Safilo Group (Italy) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.4.4 Safilo Group (Italy) Spectacle Frame Product Portfolio
6.4.5 Safilo Group (Italy) Recent Developments/Updates
6.5 Seiko (Japan)
6.5.1 Seiko (Japan) Corporation Information
6.5.2 Seiko (Japan) Description and Business Overview
6.5.3 Seiko (Japan) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.5.4 Seiko (Japan) Spectacle Frame Product Portfolio
6.5.5 Seiko (Japan) Recent Developments/Updates
6.6 Oakley (US)
6.6.1 Oakley (US) Corporation Information
6.6.2 Oakley (US) Description and Business Overview
6.6.3 Oakley (US) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.6.4 Oakley (US) Spectacle Frame Product Portfolio
6.6.5 Oakley (US) Recent Developments/Updates
6.7 NIKON (Japan)
6.6.1 NIKON (Japan) Corporation Information
6.6.2 NIKON (Japan) Description and Business Overview
6.6.3 NIKON (Japan) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.4.4 NIKON (Japan) Spectacle Frame Product Portfolio
6.7.5 NIKON (Japan) Recent Developments/Updates
6.8 Banton Frameworks (UK)
6.8.1 Banton Frameworks (UK) Corporation Information
6.8.2 Banton Frameworks (UK) Description and Business Overview
6.8.3 Banton Frameworks (UK) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.8.4 Banton Frameworks (UK) Spectacle Frame Product Portfolio
6.8.5 Banton Frameworks (UK) Recent Developments/Updates
6.9 Clive & Wally Eyewear (Australia)
6.9.1 Clive & Wally Eyewear (Australia) Corporation Information
6.9.2 Clive & Wally Eyewear (Australia) Description and Business Overview
6.9.3 Clive & Wally Eyewear (Australia) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.9.4 Clive & Wally Eyewear (Australia) Spectacle Frame Product Portfolio
6.9.5 Clive & Wally Eyewear (Australia) Recent Developments/Updates
6.10 Optoplast Actman Eyewear (UK)
6.10.1 Optoplast Actman Eyewear (UK) Corporation Information
6.10.2 Optoplast Actman Eyewear (UK) Description and Business Overview
6.10.3 Optoplast Actman Eyewear (UK) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.10.4 Optoplast Actman Eyewear (UK) Spectacle Frame Product Portfolio
6.10.5 Optoplast Actman Eyewear (UK) Recent Developments/Updates
6.11 Modo Eyewear (US)
6.11.1 Modo Eyewear (US) Corporation Information
6.11.2 Modo Eyewear (US) Spectacle Frame Description and Business Overview
6.11.3 Modo Eyewear (US) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.11.4 Modo Eyewear (US) Spectacle Frame Product Portfolio
6.11.5 Modo Eyewear (US) Recent Developments/Updates
6.12 Charmant (Japan)
6.12.1 Charmant (Japan) Corporation Information
6.12.2 Charmant (Japan) Spectacle Frame Description and Business Overview
6.12.3 Charmant (Japan) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.12.4 Charmant (Japan) Spectacle Frame Product Portfolio
6.12.5 Charmant (Japan) Recent Developments/Updates
6.13 Maui Jim (US)
6.13.1 Maui Jim (US) Corporation Information
6.13.2 Maui Jim (US) Spectacle Frame Description and Business Overview
6.13.3 Maui Jim (US) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.13.4 Maui Jim (US) Spectacle Frame Product Portfolio
6.13.5 Maui Jim (US) Recent Developments/Updates
6.14 Montblanc (Germany)
6.14.1 Montblanc (Germany) Corporation Information
6.14.2 Montblanc (Germany) Spectacle Frame Description and Business Overview
6.14.3 Montblanc (Germany) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.14.4 Montblanc (Germany) Spectacle Frame Product Portfolio
6.14.5 Montblanc (Germany) Recent Developments/Updates
6.15 Silhouette (Austria)
6.15.1 Silhouette (Austria) Corporation Information
6.15.2 Silhouette (Austria) Spectacle Frame Description and Business Overview
6.15.3 Silhouette (Austria) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.15.4 Silhouette (Austria) Spectacle Frame Product Portfolio
6.15.5 Silhouette (Austria) Recent Developments/Updates
6.16 Persol (Italy)
6.16.1 Persol (Italy) Corporation Information
6.16.2 Persol (Italy) Spectacle Frame Description and Business Overview
6.16.3 Persol (Italy) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.16.4 Persol (Italy) Spectacle Frame Product Portfolio
6.16.5 Persol (Italy) Recent Developments/Updates
6.17 Vera Bradley (US)
6.17.1 Vera Bradley (US) Corporation Information
6.17.2 Vera Bradley (US) Spectacle Frame Description and Business Overview
6.17.3 Vera Bradley (US) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.17.4 Vera Bradley (US) Spectacle Frame Product Portfolio
6.17.5 Vera Bradley (US) Recent Developments/Updates
6.18 PARIM (China)
6.18.1 PARIM (China) Corporation Information
6.18.2 PARIM (China) Spectacle Frame Description and Business Overview
6.18.3 PARIM (China) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.18.4 PARIM (China) Spectacle Frame Product Portfolio
6.18.5 PARIM (China) Recent Developments/Updates
6.19 Parim Optical (China)
6.19.1 Parim Optical (China) Corporation Information
6.19.2 Parim Optical (China) Spectacle Frame Description and Business Overview
6.19.3 Parim Optical (China) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.19.4 Parim Optical (China) Spectacle Frame Product Portfolio
6.19.5 Parim Optical (China) Recent Developments/Updates
6.20 Shanghai EFE Eyewear Corp (China)
6.20.1 Shanghai EFE Eyewear Corp (China) Corporation Information
6.20.2 Shanghai EFE Eyewear Corp (China) Spectacle Frame Description and Business Overview
6.20.3 Shanghai EFE Eyewear Corp (China) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.20.4 Shanghai EFE Eyewear Corp (China) Spectacle Frame Product Portfolio
6.20.5 Shanghai EFE Eyewear Corp (China) Recent Developments/Updates
6.21 Molsion (China)
6.21.1 Molsion (China) Corporation Information
6.21.2 Molsion (China) Spectacle Frame Description and Business Overview
6.21.3 Molsion (China) Spectacle Frame Sales, Revenue and Gross Margin (2019-2024)
6.21.4 Molsion (China) Spectacle Frame Product Portfolio
6.21.5 Molsion (China) Recent Developments/Updates
7 Industry Chain and Sales Channels Analysis
7.1 Spectacle Frame Industry Chain Analysis
7.2 Spectacle Frame Key Raw Materials
7.2.1 Key Raw Materials
7.2.2 Raw Materials Key Suppliers
7.3 Spectacle Frame Production Mode & Process
7.4 Spectacle Frame Sales and 麻豆原创ing
7.4.1 Spectacle Frame Sales Channels
7.4.2 Spectacle Frame Distributors
7.5 Spectacle Frame Customers
8 Spectacle Frame 麻豆原创 Dynamics
8.1 Spectacle Frame Industry Trends
8.2 Spectacle Frame 麻豆原创 Drivers
8.3 Spectacle Frame 麻豆原创 Challenges
8.4 Spectacle Frame 麻豆原创 Restraints
9 Research Finding and Conclusion
10 Methodology and Data Source
10.1 Methodology/Research Approach
10.1.1 Research Programs/Design
10.1.2 麻豆原创 Size Estimation
10.1.3 麻豆原创 Breakdown and Data Triangulation
10.2 Data Source
10.2.1 Secondary Sources
10.2.2 Primary Sources
10.3 Author List
10.4 Disclaimer
Rodenstock (Germany)
Shuron (US)
Luxottica (Italy)
Safilo Group (Italy)
Seiko (Japan)
Oakley (US)
NIKON (Japan)
Banton Frameworks (UK)
Clive & Wally Eyewear (Australia)
Optoplast Actman Eyewear (UK)
Modo Eyewear (US)
Charmant (Japan)
Maui Jim (US)
Montblanc (Germany)
Silhouette (Austria)
Persol (Italy)
Vera Bradley (US)
PARIM (China)
Parim Optical (China)
Shanghai EFE Eyewear Corp (China)
Molsion (China)
听
听
*If Applicable.