Short dramas, also known as "micro short dramas" and "small theaters", refer to a new type of film and television format with a shorter episode length than traditional TV dramas, lower production costs, mainly disseminated through small mobile screens, and produced by Internet celebrities. At present, the daily recharge consumption of paid micro short dramas on all domestic platforms is already around 60 million yuan. According to the "2023 China Internet Audiovisual Development Research Report", in the past six months, 50.4% of the more than 1 billion short video users in my country have watched micro short dramas, micro variety shows, and instant noodles within 3 minutes. Fast-paced, high-density, and exaggerated plots are the biggest characteristics of micro short dramas, and they are also their magic weapon for attracting money. Tianyancha data shows that there are more than 230 micro short drama-related companies in the country, of which more than 30 new registered companies were added from January to October 2023, an increase of 225% year-on-year compared with 2022.
The global Micro-Dramas Production market was valued at US$ million in 2023 and is anticipated to reach US$ million by 2030, witnessing a CAGR of %during the forecast period 2024-2030.
North American market for Micro-Dramas Production is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
Asia-Pacific market for Micro-Dramas Production is estimated to increase from $ million in 2023 to reach $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
The global market for Micro-Dramas Production in Male is estimated to increase from $ million in 2023 to $ million by 2030, at a CAGR of % during the forecast period of 2024 through 2030.
The major global companies of Micro-Dramas Production include Tencent, Kuaishou, Mango TV, TikTok, Youku, iQiyi, Linmon, Govmade, Gdinsight, Crazy Maple Studio, etc. In 2023, the world's top three vendors accounted for approximately % of the revenue.
This report aims to provide a comprehensive presentation of the global market for Micro-Dramas Production, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Micro-Dramas Production.
The Micro-Dramas Production market size, estimations, and forecasts are provided in terms of and revenue ($ millions), considering 2023 as the base year, with history and forecast data for the period from 2019 to 2030. This report segments the global Micro-Dramas Production market comprehensively. Regional market sizes, concerning products by Type, by Application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Micro-Dramas Production companies, new entrants, and industry chain related companies in this market with information on the revenues for the overall market and the sub-segments across the different segments, by company, by Type, by Application, and by regions.
麻豆原创 Segmentation
By Company
Tencent
Kuaishou
Mango TV
TikTok
Youku
iQiyi
Linmon
Govmade
Gdinsight
Crazy Maple Studio
Guangdong Advertising Group Co., Ltd.
Zhejiang Satellite TV
Huacemedia
Oriental Pearl Group Co., Ltd.
Mango Excellent Media Co., Ltd.
Shengtian
Perfect World
Tangde
China Literature Limited
Beijing Baination Pictures Co., Ltd.
Foshan Yowant Technology Co., Ltd.
JMEI Jumei International.
Segment by Type
Urban
Costume
Fantasy
Other
Segment by Application
Male
Female
By Region
North America
United States
Canada
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Europe
Germany
France
U.K.
Italy
Russia
Nordic Countries
Rest of Europe
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Chapter Outline
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by Type, by Application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Micro-Dramas Production company competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product sales, revenue, price, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.
Please Note - This is an on demand report and will be delivered in 2 business days (48 hours) post payment.
1 Report Overview
1.1 Study Scope
1.2 麻豆原创 Analysis by Type
1.2.1 Global Micro-Dramas Production 麻豆原创 Size Growth Rate by Type: 2019 VS 2023 VS 2030
1.2.2 Urban
1.2.3 Costume
1.2.4 Fantasy
1.2.5 Other
1.3 麻豆原创 by Application
1.3.1 Global Micro-Dramas Production 麻豆原创 Growth by Application: 2019 VS 2023 VS 2030
1.3.2 Male
1.3.3 Female
1.4 Assumptions and Limitations
1.5 Study Objectives
1.6 Years Considered
2 Global Growth Trends
2.1 Global Micro-Dramas Production 麻豆原创 Perspective (2019-2030)
2.2 Global Micro-Dramas Production Growth Trends by Region
2.2.1 Global Micro-Dramas Production 麻豆原创 Size by Region: 2019 VS 2023 VS 2030
2.2.2 Micro-Dramas Production Historic 麻豆原创 Size by Region (2019-2024)
2.2.3 Micro-Dramas Production Forecasted 麻豆原创 Size by Region (2025-2030)
2.3 Micro-Dramas Production 麻豆原创 Dynamics
2.3.1 Micro-Dramas Production Industry Trends
2.3.2 Micro-Dramas Production 麻豆原创 Drivers
2.3.3 Micro-Dramas Production 麻豆原创 Challenges
2.3.4 Micro-Dramas Production 麻豆原创 Restraints
3 Competition Landscape by Key Players
3.1 Global Top Micro-Dramas Production Players by Revenue
3.1.1 Global Top Micro-Dramas Production Players by Revenue (2019-2024)
3.1.2 Global Micro-Dramas Production Revenue 麻豆原创 Share by Players (2019-2024)
3.2 Global Micro-Dramas Production 麻豆原创 Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Global Key Players Ranking by Micro-Dramas Production Revenue
3.4 Global Micro-Dramas Production 麻豆原创 Concentration Ratio
3.4.1 Global Micro-Dramas Production 麻豆原创 Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Micro-Dramas Production Revenue in 2023
3.5 Global Key Players of Micro-Dramas Production Head office and Area Served
3.6 Global Key Players of Micro-Dramas Production, Product and Application
3.7 Global Key Players of Micro-Dramas Production, Date of Enter into This Industry
3.8 Mergers & Acquisitions, Expansion Plans
4 Micro-Dramas Production Breakdown Data by Type
4.1 Global Micro-Dramas Production Historic 麻豆原创 Size by Type (2019-2024)
4.2 Global Micro-Dramas Production Forecasted 麻豆原创 Size by Type (2025-2030)
5 Micro-Dramas Production Breakdown Data by Application
5.1 Global Micro-Dramas Production Historic 麻豆原创 Size by Application (2019-2024)
5.2 Global Micro-Dramas Production Forecasted 麻豆原创 Size by Application (2025-2030)
6 North America
6.1 North America Micro-Dramas Production 麻豆原创 Size (2019-2030)
6.2 North America Micro-Dramas Production 麻豆原创 Growth Rate by Country: 2019 VS 2023 VS 2030
6.3 North America Micro-Dramas Production 麻豆原创 Size by Country (2019-2024)
6.4 North America Micro-Dramas Production 麻豆原创 Size by Country (2025-2030)
6.5 United States
6.6 Canada
7 Europe
7.1 Europe Micro-Dramas Production 麻豆原创 Size (2019-2030)
7.2 Europe Micro-Dramas Production 麻豆原创 Growth Rate by Country: 2019 VS 2023 VS 2030
7.3 Europe Micro-Dramas Production 麻豆原创 Size by Country (2019-2024)
7.4 Europe Micro-Dramas Production 麻豆原创 Size by Country (2025-2030)
7.5 Germany
7.6 France
7.7 U.K.
7.8 Italy
7.9 Russia
7.10 Nordic Countries
8 Asia-Pacific
8.1 Asia-Pacific Micro-Dramas Production 麻豆原创 Size (2019-2030)
8.2 Asia-Pacific Micro-Dramas Production 麻豆原创 Growth Rate by Country: 2019 VS 2023 VS 2030
8.3 Asia-Pacific Micro-Dramas Production 麻豆原创 Size by Region (2019-2024)
8.4 Asia-Pacific Micro-Dramas Production 麻豆原创 Size by Region (2025-2030)
8.5 China
8.6 Japan
8.7 South Korea
8.8 Southeast Asia
8.9 India
8.10 Australia
9 Latin America
9.1 Latin America Micro-Dramas Production 麻豆原创 Size (2019-2030)
9.2 Latin America Micro-Dramas Production 麻豆原创 Growth Rate by Country: 2019 VS 2023 VS 2030
9.3 Latin America Micro-Dramas Production 麻豆原创 Size by Country (2019-2024)
9.4 Latin America Micro-Dramas Production 麻豆原创 Size by Country (2025-2030)
9.5 Mexico
9.6 Brazil
10 Middle East & Africa
10.1 Middle East & Africa Micro-Dramas Production 麻豆原创 Size (2019-2030)
10.2 Middle East & Africa Micro-Dramas Production 麻豆原创 Growth Rate by Country: 2019 VS 2023 VS 2030
10.3 Middle East & Africa Micro-Dramas Production 麻豆原创 Size by Country (2019-2024)
10.4 Middle East & Africa Micro-Dramas Production 麻豆原创 Size by Country (2025-2030)
10.5 Turkey
10.6 Saudi Arabia
10.7 UAE
11 Key Players Profiles
11.1 Tencent
11.1.1 Tencent Company Details
11.1.2 Tencent Business Overview
11.1.3 Tencent Micro-Dramas Production Introduction
11.1.4 Tencent Revenue in Micro-Dramas Production Business (2019-2024)
11.1.5 Tencent Recent Development
11.2 Kuaishou
11.2.1 Kuaishou Company Details
11.2.2 Kuaishou Business Overview
11.2.3 Kuaishou Micro-Dramas Production Introduction
11.2.4 Kuaishou Revenue in Micro-Dramas Production Business (2019-2024)
11.2.5 Kuaishou Recent Development
11.3 Mango TV
11.3.1 Mango TV Company Details
11.3.2 Mango TV Business Overview
11.3.3 Mango TV Micro-Dramas Production Introduction
11.3.4 Mango TV Revenue in Micro-Dramas Production Business (2019-2024)
11.3.5 Mango TV Recent Development
11.4 TikTok
11.4.1 TikTok Company Details
11.4.2 TikTok Business Overview
11.4.3 TikTok Micro-Dramas Production Introduction
11.4.4 TikTok Revenue in Micro-Dramas Production Business (2019-2024)
11.4.5 TikTok Recent Development
11.5 Youku
11.5.1 Youku Company Details
11.5.2 Youku Business Overview
11.5.3 Youku Micro-Dramas Production Introduction
11.5.4 Youku Revenue in Micro-Dramas Production Business (2019-2024)
11.5.5 Youku Recent Development
11.6 iQiyi
11.6.1 iQiyi Company Details
11.6.2 iQiyi Business Overview
11.6.3 iQiyi Micro-Dramas Production Introduction
11.6.4 iQiyi Revenue in Micro-Dramas Production Business (2019-2024)
11.6.5 iQiyi Recent Development
11.7 Linmon
11.7.1 Linmon Company Details
11.7.2 Linmon Business Overview
11.7.3 Linmon Micro-Dramas Production Introduction
11.7.4 Linmon Revenue in Micro-Dramas Production Business (2019-2024)
11.7.5 Linmon Recent Development
11.8 Govmade
11.8.1 Govmade Company Details
11.8.2 Govmade Business Overview
11.8.3 Govmade Micro-Dramas Production Introduction
11.8.4 Govmade Revenue in Micro-Dramas Production Business (2019-2024)
11.8.5 Govmade Recent Development
11.9 Gdinsight
11.9.1 Gdinsight Company Details
11.9.2 Gdinsight Business Overview
11.9.3 Gdinsight Micro-Dramas Production Introduction
11.9.4 Gdinsight Revenue in Micro-Dramas Production Business (2019-2024)
11.9.5 Gdinsight Recent Development
11.10 Crazy Maple Studio
11.10.1 Crazy Maple Studio Company Details
11.10.2 Crazy Maple Studio Business Overview
11.10.3 Crazy Maple Studio Micro-Dramas Production Introduction
11.10.4 Crazy Maple Studio Revenue in Micro-Dramas Production Business (2019-2024)
11.10.5 Crazy Maple Studio Recent Development
11.11 Guangdong Advertising Group Co., Ltd.
11.11.1 Guangdong Advertising Group Co., Ltd. Company Details
11.11.2 Guangdong Advertising Group Co., Ltd. Business Overview
11.11.3 Guangdong Advertising Group Co., Ltd. Micro-Dramas Production Introduction
11.11.4 Guangdong Advertising Group Co., Ltd. Revenue in Micro-Dramas Production Business (2019-2024)
11.11.5 Guangdong Advertising Group Co., Ltd. Recent Development
11.12 Zhejiang Satellite TV
11.12.1 Zhejiang Satellite TV Company Details
11.12.2 Zhejiang Satellite TV Business Overview
11.12.3 Zhejiang Satellite TV Micro-Dramas Production Introduction
11.12.4 Zhejiang Satellite TV Revenue in Micro-Dramas Production Business (2019-2024)
11.12.5 Zhejiang Satellite TV Recent Development
11.13 Huacemedia
11.13.1 Huacemedia Company Details
11.13.2 Huacemedia Business Overview
11.13.3 Huacemedia Micro-Dramas Production Introduction
11.13.4 Huacemedia Revenue in Micro-Dramas Production Business (2019-2024)
11.13.5 Huacemedia Recent Development
11.14 Oriental Pearl Group Co., Ltd.
11.14.1 Oriental Pearl Group Co., Ltd. Company Details
11.14.2 Oriental Pearl Group Co., Ltd. Business Overview
11.14.3 Oriental Pearl Group Co., Ltd. Micro-Dramas Production Introduction
11.14.4 Oriental Pearl Group Co., Ltd. Revenue in Micro-Dramas Production Business (2019-2024)
11.14.5 Oriental Pearl Group Co., Ltd. Recent Development
11.15 Mango Excellent Media Co., Ltd.
11.15.1 Mango Excellent Media Co., Ltd. Company Details
11.15.2 Mango Excellent Media Co., Ltd. Business Overview
11.15.3 Mango Excellent Media Co., Ltd. Micro-Dramas Production Introduction
11.15.4 Mango Excellent Media Co., Ltd. Revenue in Micro-Dramas Production Business (2019-2024)
11.15.5 Mango Excellent Media Co., Ltd. Recent Development
11.16 Shengtian
11.16.1 Shengtian Company Details
11.16.2 Shengtian Business Overview
11.16.3 Shengtian Micro-Dramas Production Introduction
11.16.4 Shengtian Revenue in Micro-Dramas Production Business (2019-2024)
11.16.5 Shengtian Recent Development
11.17 Perfect World
11.17.1 Perfect World Company Details
11.17.2 Perfect World Business Overview
11.17.3 Perfect World Micro-Dramas Production Introduction
11.17.4 Perfect World Revenue in Micro-Dramas Production Business (2019-2024)
11.17.5 Perfect World Recent Development
11.18 Tangde
11.18.1 Tangde Company Details
11.18.2 Tangde Business Overview
11.18.3 Tangde Micro-Dramas Production Introduction
11.18.4 Tangde Revenue in Micro-Dramas Production Business (2019-2024)
11.18.5 Tangde Recent Development
11.19 China Literature Limited
11.19.1 China Literature Limited Company Details
11.19.2 China Literature Limited Business Overview
11.19.3 China Literature Limited Micro-Dramas Production Introduction
11.19.4 China Literature Limited Revenue in Micro-Dramas Production Business (2019-2024)
11.19.5 China Literature Limited Recent Development
11.20 Beijing Baination Pictures Co., Ltd.
11.20.1 Beijing Baination Pictures Co., Ltd. Company Details
11.20.2 Beijing Baination Pictures Co., Ltd. Business Overview
11.20.3 Beijing Baination Pictures Co., Ltd. Micro-Dramas Production Introduction
11.20.4 Beijing Baination Pictures Co., Ltd. Revenue in Micro-Dramas Production Business (2019-2024)
11.20.5 Beijing Baination Pictures Co., Ltd. Recent Development
11.21 Foshan Yowant Technology Co., Ltd.
11.21.1 Foshan Yowant Technology Co., Ltd. Company Details
11.21.2 Foshan Yowant Technology Co., Ltd. Business Overview
11.21.3 Foshan Yowant Technology Co., Ltd. Micro-Dramas Production Introduction
11.21.4 Foshan Yowant Technology Co., Ltd. Revenue in Micro-Dramas Production Business (2019-2024)
11.21.5 Foshan Yowant Technology Co., Ltd. Recent Development
11.22 JMEI Jumei International.
11.22.1 JMEI Jumei International. Company Details
11.22.2 JMEI Jumei International. Business Overview
11.22.3 JMEI Jumei International. Micro-Dramas Production Introduction
11.22.4 JMEI Jumei International. Revenue in Micro-Dramas Production Business (2019-2024)
11.22.5 JMEI Jumei International. Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.1.1 Research Programs/Design
13.1.1.2 麻豆原创 Size Estimation
13.1.1.3 麻豆原创 Breakdown and Data Triangulation
13.1.2 Data Source
13.1.2.1 Secondary Sources
13.1.2.2 Primary Sources
13.2 Author Details
13.3 Disclaimer
Tencent
Kuaishou
Mango TV
TikTok
Youku
iQiyi
Linmon
Govmade
Gdinsight
Crazy Maple Studio
Guangdong Advertising Group Co., Ltd.
Zhejiang Satellite TV
Huacemedia
Oriental Pearl Group Co., Ltd.
Mango Excellent Media Co., Ltd.
Shengtian
Perfect World
Tangde
China Literature Limited
Beijing Baination Pictures Co., Ltd.
Foshan Yowant Technology Co., Ltd.
JMEI Jumei International.
听
听
*If Applicable.
