Highlights
The global Entertainment Building Design market was valued at US$ million in 2022 and is anticipated to reach US$ million by 2029, witnessing a CAGR of % during the forecast period 2023-2029. The influence of COVID-19 and the Russia-Ukraine War were considered while estimating market sizes.
North American market for Entertainment Building Design is estimated to increase from $ million in 2023 to reach $ million by 2029, at a CAGR of % during the forecast period of 2023 through 2029.
Asia-Pacific market for Entertainment Building Design is estimated to increase from $ million in 2023 to reach $ million by 2029, at a CAGR of % during the forecast period of 2023 through 2029.
The global market for Entertainment Building Design in Holiday Villages is estimated to increase from $ million in 2023 to $ million by 2029, at a CAGR of % during the forecast period of 2023 through 2029.
The key global companies of Entertainment Building Design include Jacobs, Stantec, IA Interior Architects, HBA, Perkins+Will, Gold Mantis, Gensler, Wilson Associates and AECOM Technology, etc. In 2022, the world's top three vendors accounted for approximately % of the revenue.
Report Scope
This report aims to provide a comprehensive presentation of the global market for Entertainment Building Design, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Entertainment Building Design.
The Entertainment Building Design market size, estimations, and forecasts are provided in terms of and revenue ($ millions), considering 2022 as the base year, with history and forecast data for the period from 2018 to 2029. This report segments the global Entertainment Building Design market comprehensively. Regional market sizes, concerning products by type, by application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Entertainment Building Design companies, new entrants, and industry chain related companies in this market with information on the revenues for the overall market and the sub-segments across the different segments, by company, by type, by application, and by regions.
By Company
Jacobs
Stantec
IA Interior Architects
HBA
Perkins+Will
Gold Mantis
Gensler
Wilson Associates
AECOM Technology
Nelson
Leo A Daly
SOM
DB & B
Segment by Type
External Design
Interior Design
Segment by Application
Holiday Villages
Cinema
By Region
North America
United States
Canada
Europe
Germany
France
UK
Italy
Russia
Nordic Countries
Rest of Europe
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Core Chapters
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by type, application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Entertainment Building Design companies’ competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the key companies in the market in detail, including product revenue, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.
Please Note - This is an on demand report and will be delivered in 2 business days (48 hours) post payment.
1 Report Overview
1.1 Study Scope
1.2 Âé¶¹Ô´´ Analysis by Type
1.2.1 Global Entertainment Building Design Âé¶¹Ô´´ Size Growth Rate by Type: 2018 VS 2022 VS 2029
1.2.2 External Design
1.2.3 Interior Design
1.3 Âé¶¹Ô´´ by Application
1.3.1 Global Entertainment Building Design Âé¶¹Ô´´ Growth by Application: 2018 VS 2022 VS 2029
1.3.2 Holiday Villages
1.3.3 Cinema
1.4 Study Objectives
1.5 Years Considered
1.6 Years Considered
2 Global Growth Trends
2.1 Global Entertainment Building Design Âé¶¹Ô´´ Perspective (2018-2029)
2.2 Entertainment Building Design Growth Trends by Region
2.2.1 Global Entertainment Building Design Âé¶¹Ô´´ Size by Region: 2018 VS 2022 VS 2029
2.2.2 Entertainment Building Design Historic Âé¶¹Ô´´ Size by Region (2018-2023)
2.2.3 Entertainment Building Design Forecasted Âé¶¹Ô´´ Size by Region (2024-2029)
2.3 Entertainment Building Design Âé¶¹Ô´´ Dynamics
2.3.1 Entertainment Building Design Industry Trends
2.3.2 Entertainment Building Design Âé¶¹Ô´´ Drivers
2.3.3 Entertainment Building Design Âé¶¹Ô´´ Challenges
2.3.4 Entertainment Building Design Âé¶¹Ô´´ Restraints
3 Competition Landscape by Key Players
3.1 Global Top Entertainment Building Design Players by Revenue
3.1.1 Global Top Entertainment Building Design Players by Revenue (2018-2023)
3.1.2 Global Entertainment Building Design Revenue Âé¶¹Ô´´ Share by Players (2018-2023)
3.2 Global Entertainment Building Design Âé¶¹Ô´´ Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Players Covered: Ranking by Entertainment Building Design Revenue
3.4 Global Entertainment Building Design Âé¶¹Ô´´ Concentration Ratio
3.4.1 Global Entertainment Building Design Âé¶¹Ô´´ Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Entertainment Building Design Revenue in 2022
3.5 Entertainment Building Design Key Players Head office and Area Served
3.6 Key Players Entertainment Building Design Product Solution and Service
3.7 Date of Enter into Entertainment Building Design Âé¶¹Ô´´
3.8 Mergers & Acquisitions, Expansion Plans
4 Entertainment Building Design Breakdown Data by Type
4.1 Global Entertainment Building Design Historic Âé¶¹Ô´´ Size by Type (2018-2023)
4.2 Global Entertainment Building Design Forecasted Âé¶¹Ô´´ Size by Type (2024-2029)
5 Entertainment Building Design Breakdown Data by Application
5.1 Global Entertainment Building Design Historic Âé¶¹Ô´´ Size by Application (2018-2023)
5.2 Global Entertainment Building Design Forecasted Âé¶¹Ô´´ Size by Application (2024-2029)
6 North America
6.1 North America Entertainment Building Design Âé¶¹Ô´´ Size (2018-2029)
6.2 North America Entertainment Building Design Âé¶¹Ô´´ Growth Rate by Country: 2018 VS 2022 VS 2029
6.3 North America Entertainment Building Design Âé¶¹Ô´´ Size by Country (2018-2023)
6.4 North America Entertainment Building Design Âé¶¹Ô´´ Size by Country (2024-2029)
6.5 United States
6.6 Canada
7 Europe
7.1 Europe Entertainment Building Design Âé¶¹Ô´´ Size (2018-2029)
7.2 Europe Entertainment Building Design Âé¶¹Ô´´ Growth Rate by Country: 2018 VS 2022 VS 2029
7.3 Europe Entertainment Building Design Âé¶¹Ô´´ Size by Country (2018-2023)
7.4 Europe Entertainment Building Design Âé¶¹Ô´´ Size by Country (2024-2029)
7.5 Germany
7.6 France
7.7 U.K.
7.8 Italy
7.9 Russia
7.10 Nordic Countries
8 Asia-Pacific
8.1 Asia-Pacific Entertainment Building Design Âé¶¹Ô´´ Size (2018-2029)
8.2 Asia-Pacific Entertainment Building Design Âé¶¹Ô´´ Growth Rate by Region: 2018 VS 2022 VS 2029
8.3 Asia-Pacific Entertainment Building Design Âé¶¹Ô´´ Size by Region (2018-2023)
8.4 Asia-Pacific Entertainment Building Design Âé¶¹Ô´´ Size by Region (2024-2029)
8.5 China
8.6 Japan
8.7 South Korea
8.8 Southeast Asia
8.9 India
8.10 Australia
9 Latin America
9.1 Latin America Entertainment Building Design Âé¶¹Ô´´ Size (2018-2029)
9.2 Latin America Entertainment Building Design Âé¶¹Ô´´ Growth Rate by Country: 2018 VS 2022 VS 2029
9.3 Latin America Entertainment Building Design Âé¶¹Ô´´ Size by Country (2018-2023)
9.4 Latin America Entertainment Building Design Âé¶¹Ô´´ Size by Country (2024-2029)
9.5 Mexico
9.6 Brazil
10 Middle East & Africa
10.1 Middle East & Africa Entertainment Building Design Âé¶¹Ô´´ Size (2018-2029)
10.2 Middle East & Africa Entertainment Building Design Âé¶¹Ô´´ Growth Rate by Country: 2018 VS 2022 VS 2029
10.3 Middle East & Africa Entertainment Building Design Âé¶¹Ô´´ Size by Country (2018-2023)
10.4 Middle East & Africa Entertainment Building Design Âé¶¹Ô´´ Size by Country (2024-2029)
10.5 Turkey
10.6 Saudi Arabia
10.7 UAE
11 Key Players Profiles
11.1 Jacobs
11.1.1 Jacobs Company Detail
11.1.2 Jacobs Business Overview
11.1.3 Jacobs Entertainment Building Design Introduction
11.1.4 Jacobs Revenue in Entertainment Building Design Business (2018-2023)
11.1.5 Jacobs Recent Development
11.2 Stantec
11.2.1 Stantec Company Detail
11.2.2 Stantec Business Overview
11.2.3 Stantec Entertainment Building Design Introduction
11.2.4 Stantec Revenue in Entertainment Building Design Business (2018-2023)
11.2.5 Stantec Recent Development
11.3 IA Interior Architects
11.3.1 IA Interior Architects Company Detail
11.3.2 IA Interior Architects Business Overview
11.3.3 IA Interior Architects Entertainment Building Design Introduction
11.3.4 IA Interior Architects Revenue in Entertainment Building Design Business (2018-2023)
11.3.5 IA Interior Architects Recent Development
11.4 HBA
11.4.1 HBA Company Detail
11.4.2 HBA Business Overview
11.4.3 HBA Entertainment Building Design Introduction
11.4.4 HBA Revenue in Entertainment Building Design Business (2018-2023)
11.4.5 HBA Recent Development
11.5 Perkins+Will
11.5.1 Perkins+Will Company Detail
11.5.2 Perkins+Will Business Overview
11.5.3 Perkins+Will Entertainment Building Design Introduction
11.5.4 Perkins+Will Revenue in Entertainment Building Design Business (2018-2023)
11.5.5 Perkins+Will Recent Development
11.6 Gold Mantis
11.6.1 Gold Mantis Company Detail
11.6.2 Gold Mantis Business Overview
11.6.3 Gold Mantis Entertainment Building Design Introduction
11.6.4 Gold Mantis Revenue in Entertainment Building Design Business (2018-2023)
11.6.5 Gold Mantis Recent Development
11.7 Gensler
11.7.1 Gensler Company Detail
11.7.2 Gensler Business Overview
11.7.3 Gensler Entertainment Building Design Introduction
11.7.4 Gensler Revenue in Entertainment Building Design Business (2018-2023)
11.7.5 Gensler Recent Development
11.8 Wilson Associates
11.8.1 Wilson Associates Company Detail
11.8.2 Wilson Associates Business Overview
11.8.3 Wilson Associates Entertainment Building Design Introduction
11.8.4 Wilson Associates Revenue in Entertainment Building Design Business (2018-2023)
11.8.5 Wilson Associates Recent Development
11.9 AECOM Technology
11.9.1 AECOM Technology Company Detail
11.9.2 AECOM Technology Business Overview
11.9.3 AECOM Technology Entertainment Building Design Introduction
11.9.4 AECOM Technology Revenue in Entertainment Building Design Business (2018-2023)
11.9.5 AECOM Technology Recent Development
11.10 Nelson
11.10.1 Nelson Company Detail
11.10.2 Nelson Business Overview
11.10.3 Nelson Entertainment Building Design Introduction
11.10.4 Nelson Revenue in Entertainment Building Design Business (2018-2023)
11.10.5 Nelson Recent Development
11.11 Leo A Daly
11.11.1 Leo A Daly Company Detail
11.11.2 Leo A Daly Business Overview
11.11.3 Leo A Daly Entertainment Building Design Introduction
11.11.4 Leo A Daly Revenue in Entertainment Building Design Business (2018-2023)
11.11.5 Leo A Daly Recent Development
11.12 SOM
11.12.1 SOM Company Detail
11.12.2 SOM Business Overview
11.12.3 SOM Entertainment Building Design Introduction
11.12.4 SOM Revenue in Entertainment Building Design Business (2018-2023)
11.12.5 SOM Recent Development
11.13 DB & B
11.13.1 DB & B Company Detail
11.13.2 DB & B Business Overview
11.13.3 DB & B Entertainment Building Design Introduction
11.13.4 DB & B Revenue in Entertainment Building Design Business (2018-2023)
11.13.5 DB & B Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.2 Data Source
13.2 Disclaimer
13.3 Author Details
Jacobs
Stantec
IA Interior Architects
HBA
Perkins+Will
Gold Mantis
Gensler
Wilson Associates
AECOM Technology
Nelson
Leo A Daly
SOM
DB & B
Ìý
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*If Applicable.