Global Captioning and Subtitling 麻豆原创 Research Report 2023

Publication ID:

PB504246250

Publication Date:

May 11, 2023

Pages:

Publisher:

MRRPB5

Countries:

Global [1]

USD 2,900.00

IT Services [2]

Computing & Electronics [3]

Description:

The solutions enable encoding, editing, and repurposing of video subtitles and captions for delivery platforms, such as, web, mobile, and television. Captioning and subtitling solutions help broadcasting and web media organizations in automating high volume caption & subtitle processing tasks, such as, extraction & insertion, timing & frame rate adjustment, format conversion, clip assembly, and sub-clipping. There exists high demand in the broadcasting industry for advanced solutions for automating the process of subtitles & captions on any media format.
Highlights
The global Captioning and Subtitling market was valued at US$ 307 million in 2022 and is anticipated to reach US$ 479.1 million by 2029, witnessing a CAGR of 7.7% during the forecast period 2023-2029. The influence of COVID-19 and the Russia-Ukraine War were considered while estimating market sizes.
Global captioning and subtitling solutions main manufacturers include VITAC, IBM, ZOO Digital Group, 3Play Media, Telestream, Digital Nirvana, Apptek, Capital Captions, EEG Enterprises, Rev, Automatic Sync Technologies, CCJK Technologies, etc., totally accounting for about 80% of the market. North America is the largest market, with a share over 59%. As for the types of products, it can be divided into on-premises and cloud. The most common product is cloud, with a share over 89%. In terms of applications, it is widely used in corporate, government, broadcast, content Producers, education and others. The most common application is broadcast, with a share about 30%.
Report Scope
This report aims to provide a comprehensive presentation of the global market for Captioning and Subtitling, with both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Captioning and Subtitling.
The Captioning and Subtitling market size, estimations, and forecasts are provided in terms of and revenue ($ millions), considering 2022 as the base year, with history and forecast data for the period from 2018 to 2029. This report segments the global Captioning and Subtitling market comprehensively. Regional market sizes, concerning products by type, by application, and by players, are also provided.
For a more in-depth understanding of the market, the report provides profiles of the competitive landscape, key competitors, and their respective market ranks. The report also discusses technological trends and new product developments.
The report will help the Captioning and Subtitling companies, new entrants, and industry chain related companies in this market with information on the revenues for the overall market and the sub-segments across the different segments, by company, by type, by application, and by regions.
By Company
VITAC
IBM
ZOO Digital Group
3Play Media
Telestream
Digital Nirvana (Transcribe Now)
Apptek
Capital Captions
EEG Enterprises
Rev
Automatic Sync Technologies
CCJK Technologies
Segment by Type
Captioning
Subtitling
Segment by Application
Corporate
Government
Broadcast
Content Producers
Education
Others
By Region
North America
United States
Canada
Europe
Germany
France
UK
Italy
Russia
Nordic Countries
Rest of Europe
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA
Core Chapters
Chapter 1: Introduces the report scope of the report, executive summary of different market segments (by type, application, etc), including the market size of each market segment, future development potential, and so on. It offers a high-level view of the current state of the market and its likely evolution in the short to mid-term, and long term.
Chapter 2: Introduces executive summary of global market size, regional market size, this section also introduces the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by companies in the industry, and the analysis of relevant policies in the industry.
Chapter 3: Detailed analysis of Captioning and Subtitling companies鈥� competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 4: Provides the analysis of various market segments by type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 5: Provides the analysis of various market segments by application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 6, 7, 8, 9, 10: North America, Europe, Asia Pacific, Latin America, Middle East and Africa segment by country. It provides a quantitative analysis of the market size and development potential of each region and its main countries and introduces the market development, future development prospects, market space, and capacity of each country in the world.
Chapter 11: Provides profiles of key players, introducing the basic situation of the key companies in the market in detail, including product revenue, gross margin, product introduction, recent development, etc.
Chapter 12: The main points and conclusions of the report.

Please Note - This is an on demand report and will be delivered in 2 business days (48 hours) post payment.

Table Of Contents:

1 Report Overview
1.1 Study Scope
1.2 麻豆原创 Analysis by Type
1.2.1 Global Captioning and Subtitling 麻豆原创 Size Growth Rate by Type: 2018 VS 2022 VS 2029
1.2.2 Captioning
1.2.3 Subtitling
1.3 麻豆原创 by Application
1.3.1 Global Captioning and Subtitling 麻豆原创 Growth by Application: 2018 VS 2022 VS 2029
1.3.2 Corporate
1.3.3 Government
1.3.4 Broadcast
1.3.5 Content Producers
1.3.6 Education
1.3.7 Others
1.4 Study Objectives
1.5 Years Considered
1.6 Years Considered
2 Global Growth Trends
2.1 Global Captioning and Subtitling 麻豆原创 Perspective (2018-2029)
2.2 Captioning and Subtitling Growth Trends by Region
2.2.1 Global Captioning and Subtitling 麻豆原创 Size by Region: 2018 VS 2022 VS 2029
2.2.2 Captioning and Subtitling Historic 麻豆原创 Size by Region (2018-2023)
2.2.3 Captioning and Subtitling Forecasted 麻豆原创 Size by Region (2024-2029)
2.3 Captioning and Subtitling 麻豆原创 Dynamics
2.3.1 Captioning and Subtitling Industry Trends
2.3.2 Captioning and Subtitling 麻豆原创 Drivers
2.3.3 Captioning and Subtitling 麻豆原创 Challenges
2.3.4 Captioning and Subtitling 麻豆原创 Restraints
3 Competition Landscape by Key Players
3.1 Global Top Captioning and Subtitling Players by Revenue
3.1.1 Global Top Captioning and Subtitling Players by Revenue (2018-2023)
3.1.2 Global Captioning and Subtitling Revenue 麻豆原创 Share by Players (2018-2023)
3.2 Global Captioning and Subtitling 麻豆原创 Share by Company Type (Tier 1, Tier 2, and Tier 3)
3.3 Players Covered: Ranking by Captioning and Subtitling Revenue
3.4 Global Captioning and Subtitling 麻豆原创 Concentration Ratio
3.4.1 Global Captioning and Subtitling 麻豆原创 Concentration Ratio (CR5 and HHI)
3.4.2 Global Top 10 and Top 5 Companies by Captioning and Subtitling Revenue in 2022
3.5 Captioning and Subtitling Key Players Head office and Area Served
3.6 Key Players Captioning and Subtitling Product Solution and Service
3.7 Date of Enter into Captioning and Subtitling 麻豆原创
3.8 Mergers & Acquisitions, Expansion Plans
4 Captioning and Subtitling Breakdown Data by Type
4.1 Global Captioning and Subtitling Historic 麻豆原创 Size by Type (2018-2023)
4.2 Global Captioning and Subtitling Forecasted 麻豆原创 Size by Type (2024-2029)
5 Captioning and Subtitling Breakdown Data by Application
5.1 Global Captioning and Subtitling Historic 麻豆原创 Size by Application (2018-2023)
5.2 Global Captioning and Subtitling Forecasted 麻豆原创 Size by Application (2024-2029)
6 North America
6.1 North America Captioning and Subtitling 麻豆原创 Size (2018-2029)
6.2 North America Captioning and Subtitling 麻豆原创 Growth Rate by Country: 2018 VS 2022 VS 2029
6.3 North America Captioning and Subtitling 麻豆原创 Size by Country (2018-2023)
6.4 North America Captioning and Subtitling 麻豆原创 Size by Country (2024-2029)
6.5 United States
6.6 Canada
7 Europe
7.1 Europe Captioning and Subtitling 麻豆原创 Size (2018-2029)
7.2 Europe Captioning and Subtitling 麻豆原创 Growth Rate by Country: 2018 VS 2022 VS 2029
7.3 Europe Captioning and Subtitling 麻豆原创 Size by Country (2018-2023)
7.4 Europe Captioning and Subtitling 麻豆原创 Size by Country (2024-2029)
7.5 Germany
7.6 France
7.7 U.K.
7.8 Italy
7.9 Russia
7.10 Nordic Countries
8 Asia-Pacific
8.1 Asia-Pacific Captioning and Subtitling 麻豆原创 Size (2018-2029)
8.2 Asia-Pacific Captioning and Subtitling 麻豆原创 Growth Rate by Region: 2018 VS 2022 VS 2029
8.3 Asia-Pacific Captioning and Subtitling 麻豆原创 Size by Region (2018-2023)
8.4 Asia-Pacific Captioning and Subtitling 麻豆原创 Size by Region (2024-2029)
8.5 China
8.6 Japan
8.7 South Korea
8.8 Southeast Asia
8.9 India
8.10 Australia
9 Latin America
9.1 Latin America Captioning and Subtitling 麻豆原创 Size (2018-2029)
9.2 Latin America Captioning and Subtitling 麻豆原创 Growth Rate by Country: 2018 VS 2022 VS 2029
9.3 Latin America Captioning and Subtitling 麻豆原创 Size by Country (2018-2023)
9.4 Latin America Captioning and Subtitling 麻豆原创 Size by Country (2024-2029)
9.5 Mexico
9.6 Brazil
10 Middle East & Africa
10.1 Middle East & Africa Captioning and Subtitling 麻豆原创 Size (2018-2029)
10.2 Middle East & Africa Captioning and Subtitling 麻豆原创 Growth Rate by Country: 2018 VS 2022 VS 2029
10.3 Middle East & Africa Captioning and Subtitling 麻豆原创 Size by Country (2018-2023)
10.4 Middle East & Africa Captioning and Subtitling 麻豆原创 Size by Country (2024-2029)
10.5 Turkey
10.6 Saudi Arabia
10.7 UAE
11 Key Players Profiles
11.1 VITAC
11.1.1 VITAC Company Detail
11.1.2 VITAC Business Overview
11.1.3 VITAC Captioning and Subtitling Introduction
11.1.4 VITAC Revenue in Captioning and Subtitling Business (2018-2023)
11.1.5 VITAC Recent Development
11.2 IBM
11.2.1 IBM Company Detail
11.2.2 IBM Business Overview
11.2.3 IBM Captioning and Subtitling Introduction
11.2.4 IBM Revenue in Captioning and Subtitling Business (2018-2023)
11.2.5 IBM Recent Development
11.3 ZOO Digital Group
11.3.1 ZOO Digital Group Company Detail
11.3.2 ZOO Digital Group Business Overview
11.3.3 ZOO Digital Group Captioning and Subtitling Introduction
11.3.4 ZOO Digital Group Revenue in Captioning and Subtitling Business (2018-2023)
11.3.5 ZOO Digital Group Recent Development
11.4 3Play Media
11.4.1 3Play Media Company Detail
11.4.2 3Play Media Business Overview
11.4.3 3Play Media Captioning and Subtitling Introduction
11.4.4 3Play Media Revenue in Captioning and Subtitling Business (2018-2023)
11.4.5 3Play Media Recent Development
11.5 Telestream
11.5.1 Telestream Company Detail
11.5.2 Telestream Business Overview
11.5.3 Telestream Captioning and Subtitling Introduction
11.5.4 Telestream Revenue in Captioning and Subtitling Business (2018-2023)
11.5.5 Telestream Recent Development
11.6 Digital Nirvana (Transcribe Now)
11.6.1 Digital Nirvana (Transcribe Now) Company Detail
11.6.2 Digital Nirvana (Transcribe Now) Business Overview
11.6.3 Digital Nirvana (Transcribe Now) Captioning and Subtitling Introduction
11.6.4 Digital Nirvana (Transcribe Now) Revenue in Captioning and Subtitling Business (2018-2023)
11.6.5 Digital Nirvana (Transcribe Now) Recent Development
11.7 Apptek
11.7.1 Apptek Company Detail
11.7.2 Apptek Business Overview
11.7.3 Apptek Captioning and Subtitling Introduction
11.7.4 Apptek Revenue in Captioning and Subtitling Business (2018-2023)
11.7.5 Apptek Recent Development
11.8 Capital Captions
11.8.1 Capital Captions Company Detail
11.8.2 Capital Captions Business Overview
11.8.3 Capital Captions Captioning and Subtitling Introduction
11.8.4 Capital Captions Revenue in Captioning and Subtitling Business (2018-2023)
11.8.5 Capital Captions Recent Development
11.9 EEG Enterprises
11.9.1 EEG Enterprises Company Detail
11.9.2 EEG Enterprises Business Overview
11.9.3 EEG Enterprises Captioning and Subtitling Introduction
11.9.4 EEG Enterprises Revenue in Captioning and Subtitling Business (2018-2023)
11.9.5 EEG Enterprises Recent Development
11.10 Rev
11.10.1 Rev Company Detail
11.10.2 Rev Business Overview
11.10.3 Rev Captioning and Subtitling Introduction
11.10.4 Rev Revenue in Captioning and Subtitling Business (2018-2023)
11.10.5 Rev Recent Development
11.11 Automatic Sync Technologies
11.11.1 Automatic Sync Technologies Company Detail
11.11.2 Automatic Sync Technologies Business Overview
11.11.3 Automatic Sync Technologies Captioning and Subtitling Introduction
11.11.4 Automatic Sync Technologies Revenue in Captioning and Subtitling Business (2018-2023)
11.11.5 Automatic Sync Technologies Recent Development
11.12 CCJK Technologies
11.12.1 CCJK Technologies Company Detail
11.12.2 CCJK Technologies Business Overview
11.12.3 CCJK Technologies Captioning and Subtitling Introduction
11.12.4 CCJK Technologies Revenue in Captioning and Subtitling Business (2018-2023)
11.12.5 CCJK Technologies Recent Development
12 Analyst's Viewpoints/Conclusions
13 Appendix
13.1 Research Methodology
13.1.1 Methodology/Research Approach
13.1.2 Data Source
13.2 Disclaimer
13.3 Author Details

Companies Mentioned:

VITAC
IBM
ZOO Digital Group
3Play Media
Telestream
Digital Nirvana (Transcribe Now)
Apptek
Capital Captions
EEG Enterprises
Rev
Automatic Sync Technologies
CCJK Technologies

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