Global Music Tourism 麻豆原创 Growth (Status and Outlook) 2024-2030

Publication ID:

LPI10240988

Publication Date:

October 1, 2024

Pages:

115

Publisher:

LPI

Countries:

Global [1]

USD 3,660.00

IT Services [2]

Software [3]

Computing & Electronics [4]

Description:

The global Music Tourism market size is projected to grow from US$ 7014 million in 2024 to US$ 11710 million in 2030; it is expected to grow at a CAGR of 8.9% from 2024 to 2030.
The 鈥淢usic Tourism Industry Forecast鈥� looks at past sales and reviews total world Music Tourism sales in 2022, providing a comprehensive analysis by region and market sector of projected Music Tourism sales for 2023 through 2029. With Music Tourism sales broken down by region, market sector and sub-sector, this report provides a detailed analysis in US$ millions of the world Music Tourism industry.
This Insight Report provides a comprehensive analysis of the global Music Tourism landscape and highlights key trends related to product segmentation, company formation, revenue, and market share, latest development, and M&A activity. This report also analyses the strategies of leading global companies with a focus on Music Tourism portfolios and capabilities, market entry strategies, market positions, and geographic footprints, to better understand these firms鈥� unique position in an accelerating global Music Tourism market.
This Insight Report evaluates the key market trends, drivers, and affecting factors shaping the global outlook for Music Tourism and breaks down the forecast by Type, by Application, geography, and market size to highlight emerging pockets of opportunity. With a transparent methodology based on hundreds of bottom-up qualitative and quantitative market inputs, this study forecast offers a highly nuanced view of the current state and future trajectory in the global Music Tourism.
United States market for Music Tourism is estimated to increase from US$ million in 2023 to US$ million by 2030, at a CAGR of % from 2024 through 2030.
China market for Music Tourism is estimated to increase from US$ million in 2023 to US$ million by 2030, at a CAGR of % from 2024 through 2030.
Europe market for Music Tourism is estimated to increase from US$ million in 2023 to US$ million by 2030, at a CAGR of % from 2024 through 2030.
Global key Music Tourism players cover Live Nation Entertainment, AEG Worldwide, Eventbrite, Ticketmaster Entertainment, StubHub, etc. In terms of revenue, the global two largest companies occupied for a share nearly % in 2023.
This report presents a comprehensive overview, market shares, and growth opportunities of Music Tourism market by product type, application, key players and key regions and countries.
Segmentation by Type:
Local Music
International Music
Segmentation by Application:
Leisure Tourism
Educational Tourism
Cultural and Heritage Tourism
Others
This report also splits the market by region:
Americas
United States
Canada
Mexico
Brazil
APAC
China
Japan
Korea
Southeast Asia
India
Australia
Europe
Germany
France
UK
Italy
Russia
Middle East & Africa
Egypt
South Africa
Israel
Turkey
GCC Countries
Segmentation by Type:
Local Music
International Music
Segmentation by Application:
Leisure Tourism
Educational Tourism
Cultural and Heritage Tourism
Others
This report also splits the market by region:
Americas
United States
Canada
Mexico
Brazil
APAC
China
Japan
Korea
Southeast Asia
India
Australia
Europe
Germany
France
UK
Italy
Russia
Middle East & Africa
Egypt
South Africa
Israel
Turkey
GCC Countries
The below companies that are profiled have been selected based on inputs gathered from primary experts and analyzing the company's coverage, product portfolio, its market penetration.
Live Nation Entertainment
AEG Worldwide
Eventbrite
Ticketmaster Entertainment
StubHub
LiveStyle
ID&T Group
Percept
TAG Group
BCD Travel
ACFEA Tour Consultants

Please Note - This is an on demand report and will be delivered in 2 business days (48 hours) post payment.

Table Of Contents:

1 Scope of the Report
1.1 麻豆原创 Introduction
1.2 Years Considered
1.3 Research Objectives
1.4 麻豆原创 Research Methodology
1.5 Research Process and Data Source
1.6 Economic Indicators
1.7 Currency Considered
1.8 麻豆原创 Estimation Caveats
2 Executive Summary
2.1 World 麻豆原创 Overview
2.1.1 Global Music Tourism 麻豆原创 Size 2019-2030
2.1.2 Music Tourism 麻豆原创 Size CAGR by Region (2019 VS 2023 VS 2030)
2.1.3 World Current & Future Analysis for Music Tourism by Country/Region, 2019, 2023 & 2030
2.2 Music Tourism Segment by Type
2.2.1 Local Music
2.2.2 International Music
2.3 Music Tourism 麻豆原创 Size by Type
2.3.1 Music Tourism 麻豆原创 Size CAGR by Type (2019 VS 2023 VS 2030)
2.3.2 Global Music Tourism 麻豆原创 Size 麻豆原创 Share by Type (2019-2024)
2.4 Music Tourism Segment by Application
2.4.1 Leisure Tourism
2.4.2 Educational Tourism
2.4.3 Cultural and Heritage Tourism
2.4.4 Others
2.5 Music Tourism 麻豆原创 Size by Application
2.5.1 Music Tourism 麻豆原创 Size CAGR by Application (2019 VS 2023 VS 2030)
2.5.2 Global Music Tourism 麻豆原创 Size 麻豆原创 Share by Application (2019-2024)
3 Music Tourism 麻豆原创 Size by Player
3.1 Music Tourism 麻豆原创 Size 麻豆原创 Share by Player
3.1.1 Global Music Tourism Revenue by Player (2019-2024)
3.1.2 Global Music Tourism Revenue 麻豆原创 Share by Player (2019-2024)
3.2 Global Music Tourism Key Players Head office and Products Offered
3.3 麻豆原创 Concentration Rate Analysis
3.3.1 Competition Landscape Analysis
3.3.2 Concentration Ratio (CR3, CR5 and CR10) & (2022-2024)
3.4 New Products and Potential Entrants
3.5 Mergers & Acquisitions, Expansion
4 Music Tourism by Region
4.1 Music Tourism 麻豆原创 Size by Region (2019-2024)
4.2 Global Music Tourism Annual Revenue by Country/Region (2019-2024)
4.3 Americas Music Tourism 麻豆原创 Size Growth (2019-2024)
4.4 APAC Music Tourism 麻豆原创 Size Growth (2019-2024)
4.5 Europe Music Tourism 麻豆原创 Size Growth (2019-2024)
4.6 Middle East & Africa Music Tourism 麻豆原创 Size Growth (2019-2024)
5 Americas
5.1 Americas Music Tourism 麻豆原创 Size by Country (2019-2024)
5.2 Americas Music Tourism 麻豆原创 Size by Type (2019-2024)
5.3 Americas Music Tourism 麻豆原创 Size by Application (2019-2024)
5.4 United States
5.5 Canada
5.6 Mexico
5.7 Brazil
6 APAC
6.1 APAC Music Tourism 麻豆原创 Size by Region (2019-2024)
6.2 APAC Music Tourism 麻豆原创 Size by Type (2019-2024)
6.3 APAC Music Tourism 麻豆原创 Size by Application (2019-2024)
6.4 China
6.5 Japan
6.6 South Korea
6.7 Southeast Asia
6.8 India
6.9 Australia
7 Europe
7.1 Europe Music Tourism 麻豆原创 Size by Country (2019-2024)
7.2 Europe Music Tourism 麻豆原创 Size by Type (2019-2024)
7.3 Europe Music Tourism 麻豆原创 Size by Application (2019-2024)
7.4 Germany
7.5 France
7.6 UK
7.7 Italy
7.8 Russia
8 Middle East & Africa
8.1 Middle East & Africa Music Tourism by Region (2019-2024)
8.2 Middle East & Africa Music Tourism 麻豆原创 Size by Type (2019-2024)
8.3 Middle East & Africa Music Tourism 麻豆原创 Size by Application (2019-2024)
8.4 Egypt
8.5 South Africa
8.6 Israel
8.7 Turkey
8.8 GCC Countries
9 麻豆原创 Drivers, Challenges and Trends
9.1 麻豆原创 Drivers & Growth Opportunities
9.2 麻豆原创 Challenges & Risks
9.3 Industry Trends
10 Global Music Tourism 麻豆原创 Forecast
10.1 Global Music Tourism Forecast by Region (2025-2030)
10.1.1 Global Music Tourism Forecast by Region (2025-2030)
10.1.2 Americas Music Tourism Forecast
10.1.3 APAC Music Tourism Forecast
10.1.4 Europe Music Tourism Forecast
10.1.5 Middle East & Africa Music Tourism Forecast
10.2 Americas Music Tourism Forecast by Country (2025-2030)
10.2.1 United States 麻豆原创 Music Tourism Forecast
10.2.2 Canada 麻豆原创 Music Tourism Forecast
10.2.3 Mexico 麻豆原创 Music Tourism Forecast
10.2.4 Brazil 麻豆原创 Music Tourism Forecast
10.3 APAC Music Tourism Forecast by Region (2025-2030)
10.3.1 China Music Tourism 麻豆原创 Forecast
10.3.2 Japan 麻豆原创 Music Tourism Forecast
10.3.3 Korea 麻豆原创 Music Tourism Forecast
10.3.4 Southeast Asia 麻豆原创 Music Tourism Forecast
10.3.5 India 麻豆原创 Music Tourism Forecast
10.3.6 Australia 麻豆原创 Music Tourism Forecast
10.4 Europe Music Tourism Forecast by Country (2025-2030)
10.4.1 Germany 麻豆原创 Music Tourism Forecast
10.4.2 France 麻豆原创 Music Tourism Forecast
10.4.3 UK 麻豆原创 Music Tourism Forecast
10.4.4 Italy 麻豆原创 Music Tourism Forecast
10.4.5 Russia 麻豆原创 Music Tourism Forecast
10.5 Middle East & Africa Music Tourism Forecast by Region (2025-2030)
10.5.1 Egypt 麻豆原创 Music Tourism Forecast
10.5.2 South Africa 麻豆原创 Music Tourism Forecast
10.5.3 Israel 麻豆原创 Music Tourism Forecast
10.5.4 Turkey 麻豆原创 Music Tourism Forecast
10.6 Global Music Tourism Forecast by Type (2025-2030)
10.7 Global Music Tourism Forecast by Application (2025-2030)
10.7.1 GCC Countries 麻豆原创 Music Tourism Forecast
11 Key Players Analysis
11.1 Live Nation Entertainment
11.1.1 Live Nation Entertainment Company Information
11.1.2 Live Nation Entertainment Music Tourism Product Offered
11.1.3 Live Nation Entertainment Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.1.4 Live Nation Entertainment Main Business Overview
11.1.5 Live Nation Entertainment Latest Developments
11.2 AEG Worldwide
11.2.1 AEG Worldwide Company Information
11.2.2 AEG Worldwide Music Tourism Product Offered
11.2.3 AEG Worldwide Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.2.4 AEG Worldwide Main Business Overview
11.2.5 AEG Worldwide Latest Developments
11.3 Eventbrite
11.3.1 Eventbrite Company Information
11.3.2 Eventbrite Music Tourism Product Offered
11.3.3 Eventbrite Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.3.4 Eventbrite Main Business Overview
11.3.5 Eventbrite Latest Developments
11.4 Ticketmaster Entertainment
11.4.1 Ticketmaster Entertainment Company Information
11.4.2 Ticketmaster Entertainment Music Tourism Product Offered
11.4.3 Ticketmaster Entertainment Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.4.4 Ticketmaster Entertainment Main Business Overview
11.4.5 Ticketmaster Entertainment Latest Developments
11.5 StubHub
11.5.1 StubHub Company Information
11.5.2 StubHub Music Tourism Product Offered
11.5.3 StubHub Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.5.4 StubHub Main Business Overview
11.5.5 StubHub Latest Developments
11.6 LiveStyle
11.6.1 LiveStyle Company Information
11.6.2 LiveStyle Music Tourism Product Offered
11.6.3 LiveStyle Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.6.4 LiveStyle Main Business Overview
11.6.5 LiveStyle Latest Developments
11.7 ID&T Group
11.7.1 ID&T Group Company Information
11.7.2 ID&T Group Music Tourism Product Offered
11.7.3 ID&T Group Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.7.4 ID&T Group Main Business Overview
11.7.5 ID&T Group Latest Developments
11.8 Percept
11.8.1 Percept Company Information
11.8.2 Percept Music Tourism Product Offered
11.8.3 Percept Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.8.4 Percept Main Business Overview
11.8.5 Percept Latest Developments
11.9 TAG Group
11.9.1 TAG Group Company Information
11.9.2 TAG Group Music Tourism Product Offered
11.9.3 TAG Group Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.9.4 TAG Group Main Business Overview
11.9.5 TAG Group Latest Developments
11.10 BCD Travel
11.10.1 BCD Travel Company Information
11.10.2 BCD Travel Music Tourism Product Offered
11.10.3 BCD Travel Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.10.4 BCD Travel Main Business Overview
11.10.5 BCD Travel Latest Developments
11.11 ACFEA Tour Consultants
11.11.1 ACFEA Tour Consultants Company Information
11.11.2 ACFEA Tour Consultants Music Tourism Product Offered
11.11.3 ACFEA Tour Consultants Music Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.11.4 ACFEA Tour Consultants Main Business Overview
11.11.5 ACFEA Tour Consultants Latest Developments
12 Research Findings and Conclusion

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