Global Metaverse in Cultural Tourism 麻豆原创 Growth (Status and Outlook) 2024-2030

Publication ID:

LPI07240587

Publication Date:

July 1, 2024

Pages:

Publisher:

LPI

Countries:

Global [1]

USD 3,660.00

IT Services [2]

Software [3]

Computing & Electronics [4]

Description:

The concept of the metaverse in cultural tourism refers to utilizing virtual reality (VR), augmented reality (AR), and other immersive technologies to create digital replicas or experiences of real-world cultural destinations, landmarks, and heritage sites within a virtual environment. In this context, the metaverse allows users to explore and interact with these cultural sites virtually, offering an immersive and engaging experience without physically being present at the location. This can include virtual tours of historical monuments, museums, archaeological sites, art galleries, and cultural events.By leveraging the metaverse in cultural tourism, organizations and destinations can reach wider audiences, including those who may not have the opportunity to visit the physical locations due to various constraints such as distance, cost, or accessibility. It also offers new avenues for education, preservation, and promotion of cultural heritage, as well as innovative ways for cultural institutions to engage with visitors and enhance their overall experience.
The global Metaverse in Cultural Tourism market size is projected to grow from US$ million in 2024 to US$ million in 2030; it is expected to grow at a CAGR of %from 2024 to 2030.
The 鈥淢etaverse in Cultural Tourism Industry Forecast鈥� looks at past sales and reviews total world Metaverse in Cultural Tourism sales in 2022, providing a comprehensive analysis by region and market sector of projected Metaverse in Cultural Tourism sales for 2023 through 2029. With Metaverse in Cultural Tourism sales broken down by region, market sector and sub-sector, this report provides a detailed analysis in US$ millions of the world Metaverse in Cultural Tourism industry.
This Insight Report provides a comprehensive analysis of the global Metaverse in Cultural Tourism landscape and highlights key trends related to product segmentation, company formation, revenue, and market share, latest development, and M&A activity. This report also analyses the strategies of leading global companies with a focus on Metaverse in Cultural Tourism portfolios and capabilities, market entry strategies, market positions, and geographic footprints, to better understand these firms鈥� unique position in an accelerating global Metaverse in Cultural Tourism market.
This Insight Report evaluates the key market trends, drivers, and affecting factors shaping the global outlook for Metaverse in Cultural Tourism and breaks down the forecast by Type, by Application, geography, and market size to highlight emerging pockets of opportunity. With a transparent methodology based on hundreds of bottom-up qualitative and quantitative market inputs, this study forecast offers a highly nuanced view of the current state and future trajectory in the global Metaverse in Cultural Tourism.
United States market for Metaverse in Cultural Tourism is estimated to increase from US$ million in 2023 to US$ million by 2030, at a CAGR of % from 2024 through 2030.
China market for Metaverse in Cultural Tourism is estimated to increase from US$ million in 2023 to US$ million by 2030, at a CAGR of % from 2024 through 2030.
Europe market for Metaverse in Cultural Tourism is estimated to increase from US$ million in 2023 to US$ million by 2030, at a CAGR of % from 2024 through 2030.
Global key Metaverse in Cultural Tourism players cover CyArk, China Cultural Media Group, ZAKER, New Direction Culture and Tourism Operation, TIMENETWORK, etc. In terms of revenue, the global two largest companies occupied for a share nearly % in 2023.
This report presents a comprehensive overview, market shares, and growth opportunities of Metaverse in Cultural Tourism market by product type, application, key players and key regions and countries.
Segmentation by Type:
Platform
Solution
Segmentation by Application:
Tourist Attractions
Casual Neighborhood
Cultural Museum Venues
Theme Park
Resort
Industrial Park
Others
This report also splits the market by region:
Americas
United States
Canada
Mexico
Brazil
APAC
China
Japan
Korea
Southeast Asia
India
Australia
Europe
Germany
France
UK
Italy
Russia
Middle East & Africa
Egypt
South Africa
Israel
Turkey
GCC Countries
Segmentation by Type:
Platform
Solution
Segmentation by Application:
Tourist Attractions
Casual Neighborhood
Cultural Museum Venues
Theme Park
Resort
Industrial Park
Others
This report also splits the market by region:
Americas
United States
Canada
Mexico
Brazil
APAC
China
Japan
Korea
Southeast Asia
India
Australia
Europe
Germany
France
UK
Italy
Russia
Middle East & Africa
Egypt
South Africa
Israel
Turkey
GCC Countries
The below companies that are profiled have been selected based on inputs gathered from primary experts and analyzing the company's coverage, product portfolio, its market penetration.
CyArk
China Cultural Media Group
ZAKER
New Direction Culture and Tourism Operation
TIMENETWORK
R-TRIP
Shengydt

Please Note - This is an on demand report and will be delivered in 2 business days (48 hours) post payment.

Table Of Contents:

1 Scope of the Report
1.1 麻豆原创 Introduction
1.2 Years Considered
1.3 Research Objectives
1.4 麻豆原创 Research Methodology
1.5 Research Process and Data Source
1.6 Economic Indicators
1.7 Currency Considered
1.8 麻豆原创 Estimation Caveats
2 Executive Summary
2.1 World 麻豆原创 Overview
2.1.1 Global Metaverse in Cultural Tourism 麻豆原创 Size 2019-2030
2.1.2 Metaverse in Cultural Tourism 麻豆原创 Size CAGR by Region (2019 VS 2023 VS 2030)
2.1.3 World Current & Future Analysis for Metaverse in Cultural Tourism by Country/Region, 2019, 2023 & 2030
2.2 Metaverse in Cultural Tourism Segment by Type
2.2.1 Platform
2.2.2 Solution
2.3 Metaverse in Cultural Tourism 麻豆原创 Size by Type
2.3.1 Metaverse in Cultural Tourism 麻豆原创 Size CAGR by Type (2019 VS 2023 VS 2030)
2.3.2 Global Metaverse in Cultural Tourism 麻豆原创 Size 麻豆原创 Share by Type (2019-2024)
2.4 Metaverse in Cultural Tourism Segment by Application
2.4.1 Tourist Attractions
2.4.2 Casual Neighborhood
2.4.3 Cultural Museum Venues
2.4.4 Theme Park
2.4.5 Resort
2.4.6 Industrial Park
2.4.7 Others
2.5 Metaverse in Cultural Tourism 麻豆原创 Size by Application
2.5.1 Metaverse in Cultural Tourism 麻豆原创 Size CAGR by Application (2019 VS 2023 VS 2030)
2.5.2 Global Metaverse in Cultural Tourism 麻豆原创 Size 麻豆原创 Share by Application (2019-2024)
3 Metaverse in Cultural Tourism 麻豆原创 Size by Player
3.1 Metaverse in Cultural Tourism 麻豆原创 Size 麻豆原创 Share by Player
3.1.1 Global Metaverse in Cultural Tourism Revenue by Player (2019-2024)
3.1.2 Global Metaverse in Cultural Tourism Revenue 麻豆原创 Share by Player (2019-2024)
3.2 Global Metaverse in Cultural Tourism Key Players Head office and Products Offered
3.3 麻豆原创 Concentration Rate Analysis
3.3.1 Competition Landscape Analysis
3.3.2 Concentration Ratio (CR3, CR5 and CR10) & (2022-2024)
3.4 New Products and Potential Entrants
3.5 Mergers & Acquisitions, Expansion
4 Metaverse in Cultural Tourism by Region
4.1 Metaverse in Cultural Tourism 麻豆原创 Size by Region (2019-2024)
4.2 Global Metaverse in Cultural Tourism Annual Revenue by Country/Region (2019-2024)
4.3 Americas Metaverse in Cultural Tourism 麻豆原创 Size Growth (2019-2024)
4.4 APAC Metaverse in Cultural Tourism 麻豆原创 Size Growth (2019-2024)
4.5 Europe Metaverse in Cultural Tourism 麻豆原创 Size Growth (2019-2024)
4.6 Middle East & Africa Metaverse in Cultural Tourism 麻豆原创 Size Growth (2019-2024)
5 Americas
5.1 Americas Metaverse in Cultural Tourism 麻豆原创 Size by Country (2019-2024)
5.2 Americas Metaverse in Cultural Tourism 麻豆原创 Size by Type (2019-2024)
5.3 Americas Metaverse in Cultural Tourism 麻豆原创 Size by Application (2019-2024)
5.4 United States
5.5 Canada
5.6 Mexico
5.7 Brazil
6 APAC
6.1 APAC Metaverse in Cultural Tourism 麻豆原创 Size by Region (2019-2024)
6.2 APAC Metaverse in Cultural Tourism 麻豆原创 Size by Type (2019-2024)
6.3 APAC Metaverse in Cultural Tourism 麻豆原创 Size by Application (2019-2024)
6.4 China
6.5 Japan
6.6 South Korea
6.7 Southeast Asia
6.8 India
6.9 Australia
7 Europe
7.1 Europe Metaverse in Cultural Tourism 麻豆原创 Size by Country (2019-2024)
7.2 Europe Metaverse in Cultural Tourism 麻豆原创 Size by Type (2019-2024)
7.3 Europe Metaverse in Cultural Tourism 麻豆原创 Size by Application (2019-2024)
7.4 Germany
7.5 France
7.6 UK
7.7 Italy
7.8 Russia
8 Middle East & Africa
8.1 Middle East & Africa Metaverse in Cultural Tourism by Region (2019-2024)
8.2 Middle East & Africa Metaverse in Cultural Tourism 麻豆原创 Size by Type (2019-2024)
8.3 Middle East & Africa Metaverse in Cultural Tourism 麻豆原创 Size by Application (2019-2024)
8.4 Egypt
8.5 South Africa
8.6 Israel
8.7 Turkey
8.8 GCC Countries
9 麻豆原创 Drivers, Challenges and Trends
9.1 麻豆原创 Drivers & Growth Opportunities
9.2 麻豆原创 Challenges & Risks
9.3 Industry Trends
10 Global Metaverse in Cultural Tourism 麻豆原创 Forecast
10.1 Global Metaverse in Cultural Tourism Forecast by Region (2025-2030)
10.1.1 Global Metaverse in Cultural Tourism Forecast by Region (2025-2030)
10.1.2 Americas Metaverse in Cultural Tourism Forecast
10.1.3 APAC Metaverse in Cultural Tourism Forecast
10.1.4 Europe Metaverse in Cultural Tourism Forecast
10.1.5 Middle East & Africa Metaverse in Cultural Tourism Forecast
10.2 Americas Metaverse in Cultural Tourism Forecast by Country (2025-2030)
10.2.1 United States 麻豆原创 Metaverse in Cultural Tourism Forecast
10.2.2 Canada 麻豆原创 Metaverse in Cultural Tourism Forecast
10.2.3 Mexico 麻豆原创 Metaverse in Cultural Tourism Forecast
10.2.4 Brazil 麻豆原创 Metaverse in Cultural Tourism Forecast
10.3 APAC Metaverse in Cultural Tourism Forecast by Region (2025-2030)
10.3.1 China Metaverse in Cultural Tourism 麻豆原创 Forecast
10.3.2 Japan 麻豆原创 Metaverse in Cultural Tourism Forecast
10.3.3 Korea 麻豆原创 Metaverse in Cultural Tourism Forecast
10.3.4 Southeast Asia 麻豆原创 Metaverse in Cultural Tourism Forecast
10.3.5 India 麻豆原创 Metaverse in Cultural Tourism Forecast
10.3.6 Australia 麻豆原创 Metaverse in Cultural Tourism Forecast
10.4 Europe Metaverse in Cultural Tourism Forecast by Country (2025-2030)
10.4.1 Germany 麻豆原创 Metaverse in Cultural Tourism Forecast
10.4.2 France 麻豆原创 Metaverse in Cultural Tourism Forecast
10.4.3 UK 麻豆原创 Metaverse in Cultural Tourism Forecast
10.4.4 Italy 麻豆原创 Metaverse in Cultural Tourism Forecast
10.4.5 Russia 麻豆原创 Metaverse in Cultural Tourism Forecast
10.5 Middle East & Africa Metaverse in Cultural Tourism Forecast by Region (2025-2030)
10.5.1 Egypt 麻豆原创 Metaverse in Cultural Tourism Forecast
10.5.2 South Africa 麻豆原创 Metaverse in Cultural Tourism Forecast
10.5.3 Israel 麻豆原创 Metaverse in Cultural Tourism Forecast
10.5.4 Turkey 麻豆原创 Metaverse in Cultural Tourism Forecast
10.6 Global Metaverse in Cultural Tourism Forecast by Type (2025-2030)
10.7 Global Metaverse in Cultural Tourism Forecast by Application (2025-2030)
10.7.1 GCC Countries 麻豆原创 Metaverse in Cultural Tourism Forecast
11 Key Players Analysis
11.1 CyArk
11.1.1 CyArk Company Information
11.1.2 CyArk Metaverse in Cultural Tourism Product Offered
11.1.3 CyArk Metaverse in Cultural Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.1.4 CyArk Main Business Overview
11.1.5 CyArk Latest Developments
11.2 China Cultural Media Group
11.2.1 China Cultural Media Group Company Information
11.2.2 China Cultural Media Group Metaverse in Cultural Tourism Product Offered
11.2.3 China Cultural Media Group Metaverse in Cultural Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.2.4 China Cultural Media Group Main Business Overview
11.2.5 China Cultural Media Group Latest Developments
11.3 ZAKER
11.3.1 ZAKER Company Information
11.3.2 ZAKER Metaverse in Cultural Tourism Product Offered
11.3.3 ZAKER Metaverse in Cultural Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.3.4 ZAKER Main Business Overview
11.3.5 ZAKER Latest Developments
11.4 New Direction Culture and Tourism Operation
11.4.1 New Direction Culture and Tourism Operation Company Information
11.4.2 New Direction Culture and Tourism Operation Metaverse in Cultural Tourism Product Offered
11.4.3 New Direction Culture and Tourism Operation Metaverse in Cultural Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.4.4 New Direction Culture and Tourism Operation Main Business Overview
11.4.5 New Direction Culture and Tourism Operation Latest Developments
11.5 TIMENETWORK
11.5.1 TIMENETWORK Company Information
11.5.2 TIMENETWORK Metaverse in Cultural Tourism Product Offered
11.5.3 TIMENETWORK Metaverse in Cultural Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.5.4 TIMENETWORK Main Business Overview
11.5.5 TIMENETWORK Latest Developments
11.6 R-TRIP
11.6.1 R-TRIP Company Information
11.6.2 R-TRIP Metaverse in Cultural Tourism Product Offered
11.6.3 R-TRIP Metaverse in Cultural Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.6.4 R-TRIP Main Business Overview
11.6.5 R-TRIP Latest Developments
11.7 Shengydt
11.7.1 Shengydt Company Information
11.7.2 Shengydt Metaverse in Cultural Tourism Product Offered
11.7.3 Shengydt Metaverse in Cultural Tourism Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
11.7.4 Shengydt Main Business Overview
11.7.5 Shengydt Latest Developments
12 Research Findings and Conclusion

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