Global Mobile Entertainment 麻豆原创 2025 by Company, Regions, Type and Application, Forecast to 2031

Publication ID:

GIR022501800

Publication Date:

February 10, 2025

Pages:

123

Publisher:

GIR

Countries:

Global [1]

USD 3,480.00

Software [2]

IT Services [3]

Computing & Electronics [4]

Description:

The global Mobile Entertainment market size was valued at US$ 127940 million in 2024 and is forecast to a readjusted size of USD 309100 million by 2031 with a CAGR of 13.6% during review period.

This report is a detailed and comprehensive analysis for global Mobile Entertainment market. Both quantitative and qualitative analyses are presented by company, by region & country, by Type and by Application. As the market is constantly changing, this report explores the competition, supply and demand trends, as well as key factors that contribute to its changing demands across many markets. Company profiles and product examples of selected competitors, along with market share estimates of some of the selected leaders for the year 2025, are provided.
Key Features:
Global Mobile Entertainment market size and forecasts, in consumption value ($ Million), 2020-2031
Global Mobile Entertainment market size and forecasts by region and country, in consumption value ($ Million), 2020-2031
Global Mobile Entertainment market size and forecasts, by Type and by Application, in consumption value ($ Million), 2020-2031
Global Mobile Entertainment market shares of main players, in revenue ($ Million), 2020-2025
The Primary Objectives in This Report Are:
To determine the size of the total market opportunity of global and key countries
To assess the growth potential for Mobile Entertainment
To forecast future growth in each product and end-use market
To assess competitive factors affecting the marketplace
This report profiles key players in the global Mobile Entertainment market based on the following parameters - company overview, revenue, gross margin, product portfolio, geographical presence, and key developments. Key companies covered as a part of this study include Activision Blizzard, Apple, Electronic Arts, Freenet Digital, Google, QuickPlay Media, Rovio International, Spotify, CBS, CJ E&M Netmarble, etc.
This report also provides key insights about market drivers, restraints, opportunities, new product launches or approvals.
麻豆原创 segmentation
Mobile Entertainment market is split by Type and by Application. For the period 2020-2031, the growth among segments provides accurate calculations and forecasts for Consumption Value by Type and by Application. This analysis can help you expand your business by targeting qualified niche markets.
麻豆原创 segment by Type
Leisure Activities (Singing,Game)
Social Activity
Shopping
麻豆原创 segment by Application
Mobile Phone
Tablet PC
Others
麻豆原创 segment by players, this report covers
Activision Blizzard
Apple
Electronic Arts
Freenet Digital
Google
QuickPlay Media
Rovio International
Spotify
CBS
CJ E&M Netmarble
Clear Channel Radio
Colopl
CyberAgent
DeNa
Samsung Music Hub
OnMobile
Locojoy
JB Hi-Fi Pty
Tencent
Alibaba
麻豆原创 segment by regions, regional analysis covers
North America (United States, Canada and Mexico)
Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
Asia-Pacific (China, Japan, South Korea, India, Southeast Asia and Rest of Asia-Pacific)
South America (Brazil, Rest of South America)
Middle East & Africa (Turkey, Saudi Arabia, UAE, Rest of Middle East & Africa)
The content of the study subjects, includes a total of 13 chapters:
Chapter 1, to describe Mobile Entertainment product scope, market overview, market estimation caveats and base year.
Chapter 2, to profile the top players of Mobile Entertainment, with revenue, gross margin, and global market share of Mobile Entertainment from 2020 to 2025.
Chapter 3, the Mobile Entertainment competitive situation, revenue, and global market share of top players are analyzed emphatically by landscape contrast.
Chapter 4 and 5, to segment the market size by Type and by Application, with consumption value and growth rate by Type, by Application, from 2020 to 2031
Chapter 6, 7, 8, 9, and 10, to break the market size data at the country level, with revenue and market share for key countries in the world, from 2020 to 2025.and Mobile Entertainment market forecast, by regions, by Type and by Application, with consumption value, from 2026 to 2031.
Chapter 11, market dynamics, drivers, restraints, trends, Porters Five Forces analysis.
Chapter 12, the key raw materials and key suppliers, and industry chain of Mobile Entertainment.
Chapter 13, to describe Mobile Entertainment research findings and conclusion.

Please Note - This is an on demand report and will be delivered in 2 business days (48 Hours) post payment.

Table Of Contents:

1 麻豆原创 Overview
1.1 Product Overview and Scope
1.2 麻豆原创 Estimation Caveats and Base Year
1.3 Classification of Mobile Entertainment by Type
1.3.1 Overview: Global Mobile Entertainment 麻豆原创 Size by Type: 2020 Versus 2024 Versus 2031
1.3.2 Global Mobile Entertainment Consumption Value 麻豆原创 Share by Type in 2024
1.3.3 Leisure Activities (Singing,Game)
1.3.4 Social Activity
1.3.5 Shopping
1.4 Global Mobile Entertainment 麻豆原创 by Application
1.4.1 Overview: Global Mobile Entertainment 麻豆原创 Size by Application: 2020 Versus 2024 Versus 2031
1.4.2 Mobile Phone
1.4.3 Tablet PC
1.4.4 Others
1.5 Global Mobile Entertainment 麻豆原创 Size & Forecast
1.6 Global Mobile Entertainment 麻豆原创 Size and Forecast by Region
1.6.1 Global Mobile Entertainment 麻豆原创 Size by Region: 2020 VS 2024 VS 2031
1.6.2 Global Mobile Entertainment 麻豆原创 Size by Region, (2020-2031)
1.6.3 North America Mobile Entertainment 麻豆原创 Size and Prospect (2020-2031)
1.6.4 Europe Mobile Entertainment 麻豆原创 Size and Prospect (2020-2031)
1.6.5 Asia-Pacific Mobile Entertainment 麻豆原创 Size and Prospect (2020-2031)
1.6.6 South America Mobile Entertainment 麻豆原创 Size and Prospect (2020-2031)
1.6.7 Middle East & Africa Mobile Entertainment 麻豆原创 Size and Prospect (2020-2031)
2 Company Profiles
2.1 Activision Blizzard
2.1.1 Activision Blizzard Details
2.1.2 Activision Blizzard Major Business
2.1.3 Activision Blizzard Mobile Entertainment Product and Solutions
2.1.4 Activision Blizzard Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.1.5 Activision Blizzard Recent Developments and Future Plans
2.2 Apple
2.2.1 Apple Details
2.2.2 Apple Major Business
2.2.3 Apple Mobile Entertainment Product and Solutions
2.2.4 Apple Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.2.5 Apple Recent Developments and Future Plans
2.3 Electronic Arts
2.3.1 Electronic Arts Details
2.3.2 Electronic Arts Major Business
2.3.3 Electronic Arts Mobile Entertainment Product and Solutions
2.3.4 Electronic Arts Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.3.5 Electronic Arts Recent Developments and Future Plans
2.4 Freenet Digital
2.4.1 Freenet Digital Details
2.4.2 Freenet Digital Major Business
2.4.3 Freenet Digital Mobile Entertainment Product and Solutions
2.4.4 Freenet Digital Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.4.5 Freenet Digital Recent Developments and Future Plans
2.5 Google
2.5.1 Google Details
2.5.2 Google Major Business
2.5.3 Google Mobile Entertainment Product and Solutions
2.5.4 Google Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.5.5 Google Recent Developments and Future Plans
2.6 QuickPlay Media
2.6.1 QuickPlay Media Details
2.6.2 QuickPlay Media Major Business
2.6.3 QuickPlay Media Mobile Entertainment Product and Solutions
2.6.4 QuickPlay Media Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.6.5 QuickPlay Media Recent Developments and Future Plans
2.7 Rovio International
2.7.1 Rovio International Details
2.7.2 Rovio International Major Business
2.7.3 Rovio International Mobile Entertainment Product and Solutions
2.7.4 Rovio International Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.7.5 Rovio International Recent Developments and Future Plans
2.8 Spotify
2.8.1 Spotify Details
2.8.2 Spotify Major Business
2.8.3 Spotify Mobile Entertainment Product and Solutions
2.8.4 Spotify Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.8.5 Spotify Recent Developments and Future Plans
2.9 CBS
2.9.1 CBS Details
2.9.2 CBS Major Business
2.9.3 CBS Mobile Entertainment Product and Solutions
2.9.4 CBS Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.9.5 CBS Recent Developments and Future Plans
2.10 CJ E&M Netmarble
2.10.1 CJ E&M Netmarble Details
2.10.2 CJ E&M Netmarble Major Business
2.10.3 CJ E&M Netmarble Mobile Entertainment Product and Solutions
2.10.4 CJ E&M Netmarble Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.10.5 CJ E&M Netmarble Recent Developments and Future Plans
2.11 Clear Channel Radio
2.11.1 Clear Channel Radio Details
2.11.2 Clear Channel Radio Major Business
2.11.3 Clear Channel Radio Mobile Entertainment Product and Solutions
2.11.4 Clear Channel Radio Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.11.5 Clear Channel Radio Recent Developments and Future Plans
2.12 Colopl
2.12.1 Colopl Details
2.12.2 Colopl Major Business
2.12.3 Colopl Mobile Entertainment Product and Solutions
2.12.4 Colopl Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.12.5 Colopl Recent Developments and Future Plans
2.13 CyberAgent
2.13.1 CyberAgent Details
2.13.2 CyberAgent Major Business
2.13.3 CyberAgent Mobile Entertainment Product and Solutions
2.13.4 CyberAgent Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.13.5 CyberAgent Recent Developments and Future Plans
2.14 DeNa
2.14.1 DeNa Details
2.14.2 DeNa Major Business
2.14.3 DeNa Mobile Entertainment Product and Solutions
2.14.4 DeNa Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.14.5 DeNa Recent Developments and Future Plans
2.15 Samsung Music Hub
2.15.1 Samsung Music Hub Details
2.15.2 Samsung Music Hub Major Business
2.15.3 Samsung Music Hub Mobile Entertainment Product and Solutions
2.15.4 Samsung Music Hub Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.15.5 Samsung Music Hub Recent Developments and Future Plans
2.16 OnMobile
2.16.1 OnMobile Details
2.16.2 OnMobile Major Business
2.16.3 OnMobile Mobile Entertainment Product and Solutions
2.16.4 OnMobile Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.16.5 OnMobile Recent Developments and Future Plans
2.17 Locojoy
2.17.1 Locojoy Details
2.17.2 Locojoy Major Business
2.17.3 Locojoy Mobile Entertainment Product and Solutions
2.17.4 Locojoy Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.17.5 Locojoy Recent Developments and Future Plans
2.18 JB Hi-Fi Pty
2.18.1 JB Hi-Fi Pty Details
2.18.2 JB Hi-Fi Pty Major Business
2.18.3 JB Hi-Fi Pty Mobile Entertainment Product and Solutions
2.18.4 JB Hi-Fi Pty Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.18.5 JB Hi-Fi Pty Recent Developments and Future Plans
2.19 Tencent
2.19.1 Tencent Details
2.19.2 Tencent Major Business
2.19.3 Tencent Mobile Entertainment Product and Solutions
2.19.4 Tencent Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.19.5 Tencent Recent Developments and Future Plans
2.20 Alibaba
2.20.1 Alibaba Details
2.20.2 Alibaba Major Business
2.20.3 Alibaba Mobile Entertainment Product and Solutions
2.20.4 Alibaba Mobile Entertainment Revenue, Gross Margin and 麻豆原创 Share (2020-2025)
2.20.5 Alibaba Recent Developments and Future Plans
3 麻豆原创 Competition, by Players
3.1 Global Mobile Entertainment Revenue and Share by Players (2020-2025)
3.2 麻豆原创 Share Analysis (2024)
3.2.1 麻豆原创 Share of Mobile Entertainment by Company Revenue
3.2.2 Top 3 Mobile Entertainment Players 麻豆原创 Share in 2024
3.2.3 Top 6 Mobile Entertainment Players 麻豆原创 Share in 2024
3.3 Mobile Entertainment 麻豆原创: Overall Company Footprint Analysis
3.3.1 Mobile Entertainment 麻豆原创: Region Footprint
3.3.2 Mobile Entertainment 麻豆原创: Company Product Type Footprint
3.3.3 Mobile Entertainment 麻豆原创: Company Product Application Footprint
3.4 New 麻豆原创 Entrants and Barriers to 麻豆原创 Entry
3.5 Mergers, Acquisition, Agreements, and Collaborations
4 麻豆原创 Size Segment by Type
4.1 Global Mobile Entertainment Consumption Value and 麻豆原创 Share by Type (2020-2025)
4.2 Global Mobile Entertainment 麻豆原创 Forecast by Type (2026-2031)
5 麻豆原创 Size Segment by Application
5.1 Global Mobile Entertainment Consumption Value 麻豆原创 Share by Application (2020-2025)
5.2 Global Mobile Entertainment 麻豆原创 Forecast by Application (2026-2031)
6 North America
6.1 North America Mobile Entertainment Consumption Value by Type (2020-2031)
6.2 North America Mobile Entertainment 麻豆原创 Size by Application (2020-2031)
6.3 North America Mobile Entertainment 麻豆原创 Size by Country
6.3.1 North America Mobile Entertainment Consumption Value by Country (2020-2031)
6.3.2 United States Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
6.3.3 Canada Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
6.3.4 Mexico Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
7 Europe
7.1 Europe Mobile Entertainment Consumption Value by Type (2020-2031)
7.2 Europe Mobile Entertainment Consumption Value by Application (2020-2031)
7.3 Europe Mobile Entertainment 麻豆原创 Size by Country
7.3.1 Europe Mobile Entertainment Consumption Value by Country (2020-2031)
7.3.2 Germany Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
7.3.3 France Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
7.3.4 United Kingdom Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
7.3.5 Russia Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
7.3.6 Italy Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
8 Asia-Pacific
8.1 Asia-Pacific Mobile Entertainment Consumption Value by Type (2020-2031)
8.2 Asia-Pacific Mobile Entertainment Consumption Value by Application (2020-2031)
8.3 Asia-Pacific Mobile Entertainment 麻豆原创 Size by Region
8.3.1 Asia-Pacific Mobile Entertainment Consumption Value by Region (2020-2031)
8.3.2 China Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
8.3.3 Japan Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
8.3.4 South Korea Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
8.3.5 India Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
8.3.6 Southeast Asia Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
8.3.7 Australia Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
9 South America
9.1 South America Mobile Entertainment Consumption Value by Type (2020-2031)
9.2 South America Mobile Entertainment Consumption Value by Application (2020-2031)
9.3 South America Mobile Entertainment 麻豆原创 Size by Country
9.3.1 South America Mobile Entertainment Consumption Value by Country (2020-2031)
9.3.2 Brazil Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
9.3.3 Argentina Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
10 Middle East & Africa
10.1 Middle East & Africa Mobile Entertainment Consumption Value by Type (2020-2031)
10.2 Middle East & Africa Mobile Entertainment Consumption Value by Application (2020-2031)
10.3 Middle East & Africa Mobile Entertainment 麻豆原创 Size by Country
10.3.1 Middle East & Africa Mobile Entertainment Consumption Value by Country (2020-2031)
10.3.2 Turkey Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
10.3.3 Saudi Arabia Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
10.3.4 UAE Mobile Entertainment 麻豆原创 Size and Forecast (2020-2031)
11 麻豆原创 Dynamics
11.1 Mobile Entertainment 麻豆原创 Drivers
11.2 Mobile Entertainment 麻豆原创 Restraints
11.3 Mobile Entertainment Trends Analysis
11.4 Porters Five Forces Analysis
11.4.1 Threat of New Entrants
11.4.2 Bargaining Power of Suppliers
11.4.3 Bargaining Power of Buyers
11.4.4 Threat of Substitutes
11.4.5 Competitive Rivalry
12 Industry Chain Analysis
12.1 Mobile Entertainment Industry Chain
12.2 Mobile Entertainment Upstream Analysis
12.3 Mobile Entertainment Midstream Analysis
12.4 Mobile Entertainment Downstream Analysis
13 Research Findings and Conclusion
14 Appendix
14.1 Methodology
14.2 Research Process and Data Source
14.3 Disclaimer

Companies Mentioned:

Activision Blizzard
Apple
Electronic Arts
Freenet Digital
Google
QuickPlay Media
Rovio International
Spotify
CBS
CJ E&M Netmarble
Clear Channel Radio
Colopl
CyberAgent
DeNa
Samsung Music Hub
OnMobile
Locojoy
JB Hi-Fi Pty
Tencent
Alibaba

License Types:

Single User License (PDF)

This license allows for use of a publication by one person.
This person may print out a single copy of the publication.
This person can include information given in the publication in presentations and internal reports by providing full copyright credit to the publisher.
This person cannot share the publication (or any information contained therein) with any other person or persons.
Unless a Enterprise License is purchased, a Single User License must be purchased for every person that wishes to use the publication within the same organization.
Customers who infringe these license terms are liable for a Global license fee.

听

Site License (PDF)*

This license allows for use of a publication by all users within one corporate location, e.g. a regional office.
These users may print out a single copy of the publication.
These users can include information given in the publication in presentations and internal reports by providing full copyright credit to the publisher.
These users cannot share the publication (or any information contained therein) with any other person or persons outside the corporate location for which the publication is purchased.
Unless a Enterprise License is purchased, a Site User License must be purchased for every corporate location by an organization that wishes to use the publication within the same organization.
Customers who infringe these license terms are liable for a Global license fee.

听

Global License (PDF)*

This license allows for use of a publication by unlimited users within the purchasing organization e.g. all employees of a single company.
Each of these people may use the publication on any computer, and may print out the report, but may not share the publication (or any information contained therein) with any other person or persons outside of the organization.
These employees of purchasing organization can include information given in the publication in presentations and internal reports by providing full copyright credit to the publisher.

*If Applicable.