The global Live Event Production market size was valued at US$ million in 2023 and is forecast to a readjusted size of USD million by 2030 with a CAGR of %during review period.
This report is a detailed and comprehensive analysis for global Live Event Production market. Both quantitative and qualitative analyses are presented by company, by region & country, by Type and by Application. As the market is constantly changing, this report explores the competition, supply and demand trends, as well as key factors that contribute to its changing demands across many markets. Company profiles and product examples of selected competitors, along with market share estimates of some of the selected leaders for the year 2024, are provided.
Key Features:
Global Live Event Production market size and forecasts, in consumption value ($ Million), 2019-2030
Global Live Event Production market size and forecasts by region and country, in consumption value ($ Million), 2019-2030
Global Live Event Production market size and forecasts, by Type and by Application, in consumption value ($ Million), 2019-2030
Global Live Event Production market shares of main players, in revenue ($ Million), 2019-2024
The Primary Objectives in This Report Are:
To determine the size of the total market opportunity of global and key countries
To assess the growth potential for Live Event Production
To forecast future growth in each product and end-use market
To assess competitive factors affecting the marketplace
This report profiles key players in the global Live Event Production market based on the following parameters - company overview, revenue, gross margin, product portfolio, geographical presence, and key developments. Key companies covered as a part of this study include NEP Group, Inc, Creative Technology, Luxe Fete, Production Resource Group, Tait, The AVent Techs, LLC, AV Leads, Catalyst Companies, Wise Productions, Live Event Video Productions, etc.
This report also provides key insights about market drivers, restraints, opportunities, new product launches or approvals.
麻豆原创 segmentation
Live Event Production market is split by Type and by Application. For the period 2019-2030, the growth among segments provides accurate calculations and forecasts for Consumption Value by Type and by Application. This analysis can help you expand your business by targeting qualified niche markets.
麻豆原创 segmentation
Live Event Production market is split by Type and by Application. For the period 2018-2029, the growth among segments provides accurate calculations and forecasts for Consumption Value by Type and by Application. This analysis can help you expand your business by targeting qualified niche markets.
麻豆原创 segment by Type
Event Planning
On-Site Layout
Equipment Rental and Technical Support
Performance Services
Photography, Videography and Post-Production
Others
麻豆原创 segment by Application
Concert
Business Conferences and Exhibitions
Sporting Events
Others
麻豆原创 segment by players, this report covers
NEP Group, Inc
Creative Technology
Luxe Fete
Production Resource Group
Tait
The AVent Techs, LLC
AV Leads
Catalyst Companies
Wise Productions
Live Event Video Productions
PCE
Encompass Event Group
Adlib Audio
AV Alliance
Production Plus
Best Events Productions
MKG
Event Solutions
JR Global Events
Evolve Activation
麻豆原创 segment by regions, regional analysis covers
North America (United States, Canada and Mexico)
Europe (Germany, France, UK, Russia, Italy and Rest of Europe)
Asia-Pacific (China, Japan, South Korea, India, Southeast Asia and Rest of Asia-Pacific)
South America (Brazil, Rest of South America)
Middle East & Africa (Turkey, Saudi Arabia, UAE, Rest of Middle East & Africa)
The content of the study subjects, includes a total of 13 chapters:
Chapter 1, to describe Live Event Production product scope, market overview, market estimation caveats and base year.
Chapter 2, to profile the top players of Live Event Production, with revenue, gross margin, and global market share of Live Event Production from 2019 to 2024.
Chapter 3, the Live Event Production competitive situation, revenue, and global market share of top players are analyzed emphatically by landscape contrast.
Chapter 4 and 5, to segment the market size by Type and by Application, with consumption value and growth rate by Type, by Application, from 2019 to 2030.
Chapter 6, 7, 8, 9, and 10, to break the market size data at the country level, with revenue and market share for key countries in the world, from 2019 to 2024.and Live Event Production market forecast, by regions, by Type and by Application, with consumption value, from 2024 to 2030.
Chapter 11, market dynamics, drivers, restraints, trends, Porters Five Forces analysis.
Chapter 12, the key raw materials and key suppliers, and industry chain of Live Event Production.
Chapter 13, to describe Live Event Production research findings and conclusion.
Please Note - This is an on demand report and will be delivered in 2 business days (48 Hours) post payment.
1 麻豆原创 Overview
1.1 Product Overview and Scope
1.2 麻豆原创 Estimation Caveats and Base Year
1.3 Classification of Live Event Production by Type
1.3.1 Overview: Global Live Event Production 麻豆原创 Size by Type: 2019 Versus 2023 Versus 2030
1.3.2 Global Live Event Production Consumption Value 麻豆原创 Share by Type in 2023
1.3.3 Event Planning
1.3.4 On-Site Layout
1.3.5 Equipment Rental and Technical Support
1.3.6 Performance Services
1.3.7 Photography, Videography and Post-Production
1.3.8 Others
1.4 Global Live Event Production 麻豆原创 by Application
1.4.1 Overview: Global Live Event Production 麻豆原创 Size by Application: 2019 Versus 2023 Versus 2030
1.4.2 Concert
1.4.3 Business Conferences and Exhibitions
1.4.4 Sporting Events
1.4.5 Others
1.5 Global Live Event Production 麻豆原创 Size & Forecast
1.6 Global Live Event Production 麻豆原创 Size and Forecast by Region
1.6.1 Global Live Event Production 麻豆原创 Size by Region: 2019 VS 2023 VS 2030
1.6.2 Global Live Event Production 麻豆原创 Size by Region, (2019-2030)
1.6.3 North America Live Event Production 麻豆原创 Size and Prospect (2019-2030)
1.6.4 Europe Live Event Production 麻豆原创 Size and Prospect (2019-2030)
1.6.5 Asia-Pacific Live Event Production 麻豆原创 Size and Prospect (2019-2030)
1.6.6 South America Live Event Production 麻豆原创 Size and Prospect (2019-2030)
1.6.7 Middle East & Africa Live Event Production 麻豆原创 Size and Prospect (2019-2030)
2 Company Profiles
2.1 NEP Group, Inc
2.1.1 NEP Group, Inc Details
2.1.2 NEP Group, Inc Major Business
2.1.3 NEP Group, Inc Live Event Production Product and Solutions
2.1.4 NEP Group, Inc Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.1.5 NEP Group, Inc Recent Developments and Future Plans
2.2 Creative Technology
2.2.1 Creative Technology Details
2.2.2 Creative Technology Major Business
2.2.3 Creative Technology Live Event Production Product and Solutions
2.2.4 Creative Technology Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.2.5 Creative Technology Recent Developments and Future Plans
2.3 Luxe Fete
2.3.1 Luxe Fete Details
2.3.2 Luxe Fete Major Business
2.3.3 Luxe Fete Live Event Production Product and Solutions
2.3.4 Luxe Fete Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.3.5 Luxe Fete Recent Developments and Future Plans
2.4 Production Resource Group
2.4.1 Production Resource Group Details
2.4.2 Production Resource Group Major Business
2.4.3 Production Resource Group Live Event Production Product and Solutions
2.4.4 Production Resource Group Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.4.5 Production Resource Group Recent Developments and Future Plans
2.5 Tait
2.5.1 Tait Details
2.5.2 Tait Major Business
2.5.3 Tait Live Event Production Product and Solutions
2.5.4 Tait Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.5.5 Tait Recent Developments and Future Plans
2.6 The AVent Techs, LLC
2.6.1 The AVent Techs, LLC Details
2.6.2 The AVent Techs, LLC Major Business
2.6.3 The AVent Techs, LLC Live Event Production Product and Solutions
2.6.4 The AVent Techs, LLC Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.6.5 The AVent Techs, LLC Recent Developments and Future Plans
2.7 AV Leads
2.7.1 AV Leads Details
2.7.2 AV Leads Major Business
2.7.3 AV Leads Live Event Production Product and Solutions
2.7.4 AV Leads Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.7.5 AV Leads Recent Developments and Future Plans
2.8 Catalyst Companies
2.8.1 Catalyst Companies Details
2.8.2 Catalyst Companies Major Business
2.8.3 Catalyst Companies Live Event Production Product and Solutions
2.8.4 Catalyst Companies Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.8.5 Catalyst Companies Recent Developments and Future Plans
2.9 Wise Productions
2.9.1 Wise Productions Details
2.9.2 Wise Productions Major Business
2.9.3 Wise Productions Live Event Production Product and Solutions
2.9.4 Wise Productions Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.9.5 Wise Productions Recent Developments and Future Plans
2.10 Live Event Video Productions
2.10.1 Live Event Video Productions Details
2.10.2 Live Event Video Productions Major Business
2.10.3 Live Event Video Productions Live Event Production Product and Solutions
2.10.4 Live Event Video Productions Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.10.5 Live Event Video Productions Recent Developments and Future Plans
2.11 PCE
2.11.1 PCE Details
2.11.2 PCE Major Business
2.11.3 PCE Live Event Production Product and Solutions
2.11.4 PCE Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.11.5 PCE Recent Developments and Future Plans
2.12 Encompass Event Group
2.12.1 Encompass Event Group Details
2.12.2 Encompass Event Group Major Business
2.12.3 Encompass Event Group Live Event Production Product and Solutions
2.12.4 Encompass Event Group Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.12.5 Encompass Event Group Recent Developments and Future Plans
2.13 Adlib Audio
2.13.1 Adlib Audio Details
2.13.2 Adlib Audio Major Business
2.13.3 Adlib Audio Live Event Production Product and Solutions
2.13.4 Adlib Audio Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.13.5 Adlib Audio Recent Developments and Future Plans
2.14 AV Alliance
2.14.1 AV Alliance Details
2.14.2 AV Alliance Major Business
2.14.3 AV Alliance Live Event Production Product and Solutions
2.14.4 AV Alliance Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.14.5 AV Alliance Recent Developments and Future Plans
2.15 Production Plus
2.15.1 Production Plus Details
2.15.2 Production Plus Major Business
2.15.3 Production Plus Live Event Production Product and Solutions
2.15.4 Production Plus Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.15.5 Production Plus Recent Developments and Future Plans
2.16 Best Events Productions
2.16.1 Best Events Productions Details
2.16.2 Best Events Productions Major Business
2.16.3 Best Events Productions Live Event Production Product and Solutions
2.16.4 Best Events Productions Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.16.5 Best Events Productions Recent Developments and Future Plans
2.17 MKG
2.17.1 MKG Details
2.17.2 MKG Major Business
2.17.3 MKG Live Event Production Product and Solutions
2.17.4 MKG Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.17.5 MKG Recent Developments and Future Plans
2.18 Event Solutions
2.18.1 Event Solutions Details
2.18.2 Event Solutions Major Business
2.18.3 Event Solutions Live Event Production Product and Solutions
2.18.4 Event Solutions Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.18.5 Event Solutions Recent Developments and Future Plans
2.19 JR Global Events
2.19.1 JR Global Events Details
2.19.2 JR Global Events Major Business
2.19.3 JR Global Events Live Event Production Product and Solutions
2.19.4 JR Global Events Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.19.5 JR Global Events Recent Developments and Future Plans
2.20 Evolve Activation
2.20.1 Evolve Activation Details
2.20.2 Evolve Activation Major Business
2.20.3 Evolve Activation Live Event Production Product and Solutions
2.20.4 Evolve Activation Live Event Production Revenue, Gross Margin and 麻豆原创 Share (2019-2024)
2.20.5 Evolve Activation Recent Developments and Future Plans
3 麻豆原创 Competition, by Players
3.1 Global Live Event Production Revenue and Share by Players (2019-2024)
3.2 麻豆原创 Share Analysis (2023)
3.2.1 麻豆原创 Share of Live Event Production by Company Revenue
3.2.2 Top 3 Live Event Production Players 麻豆原创 Share in 2023
3.2.3 Top 6 Live Event Production Players 麻豆原创 Share in 2023
3.3 Live Event Production 麻豆原创: Overall Company Footprint Analysis
3.3.1 Live Event Production 麻豆原创: Region Footprint
3.3.2 Live Event Production 麻豆原创: Company Product Type Footprint
3.3.3 Live Event Production 麻豆原创: Company Product Application Footprint
3.4 New 麻豆原创 Entrants and Barriers to 麻豆原创 Entry
3.5 Mergers, Acquisition, Agreements, and Collaborations
4 麻豆原创 Size Segment by Type
4.1 Global Live Event Production Consumption Value and 麻豆原创 Share by Type (2019-2024)
4.2 Global Live Event Production 麻豆原创 Forecast by Type (2025-2030)
5 麻豆原创 Size Segment by Application
5.1 Global Live Event Production Consumption Value 麻豆原创 Share by Application (2019-2024)
5.2 Global Live Event Production 麻豆原创 Forecast by Application (2025-2030)
6 North America
6.1 North America Live Event Production Consumption Value by Type (2019-2030)
6.2 North America Live Event Production 麻豆原创 Size by Application (2019-2030)
6.3 North America Live Event Production 麻豆原创 Size by Country
6.3.1 North America Live Event Production Consumption Value by Country (2019-2030)
6.3.2 United States Live Event Production 麻豆原创 Size and Forecast (2019-2030)
6.3.3 Canada Live Event Production 麻豆原创 Size and Forecast (2019-2030)
6.3.4 Mexico Live Event Production 麻豆原创 Size and Forecast (2019-2030)
7 Europe
7.1 Europe Live Event Production Consumption Value by Type (2019-2030)
7.2 Europe Live Event Production Consumption Value by Application (2019-2030)
7.3 Europe Live Event Production 麻豆原创 Size by Country
7.3.1 Europe Live Event Production Consumption Value by Country (2019-2030)
7.3.2 Germany Live Event Production 麻豆原创 Size and Forecast (2019-2030)
7.3.3 France Live Event Production 麻豆原创 Size and Forecast (2019-2030)
7.3.4 United Kingdom Live Event Production 麻豆原创 Size and Forecast (2019-2030)
7.3.5 Russia Live Event Production 麻豆原创 Size and Forecast (2019-2030)
7.3.6 Italy Live Event Production 麻豆原创 Size and Forecast (2019-2030)
8 Asia-Pacific
8.1 Asia-Pacific Live Event Production Consumption Value by Type (2019-2030)
8.2 Asia-Pacific Live Event Production Consumption Value by Application (2019-2030)
8.3 Asia-Pacific Live Event Production 麻豆原创 Size by Region
8.3.1 Asia-Pacific Live Event Production Consumption Value by Region (2019-2030)
8.3.2 China Live Event Production 麻豆原创 Size and Forecast (2019-2030)
8.3.3 Japan Live Event Production 麻豆原创 Size and Forecast (2019-2030)
8.3.4 South Korea Live Event Production 麻豆原创 Size and Forecast (2019-2030)
8.3.5 India Live Event Production 麻豆原创 Size and Forecast (2019-2030)
8.3.6 Southeast Asia Live Event Production 麻豆原创 Size and Forecast (2019-2030)
8.3.7 Australia Live Event Production 麻豆原创 Size and Forecast (2019-2030)
9 South America
9.1 South America Live Event Production Consumption Value by Type (2019-2030)
9.2 South America Live Event Production Consumption Value by Application (2019-2030)
9.3 South America Live Event Production 麻豆原创 Size by Country
9.3.1 South America Live Event Production Consumption Value by Country (2019-2030)
9.3.2 Brazil Live Event Production 麻豆原创 Size and Forecast (2019-2030)
9.3.3 Argentina Live Event Production 麻豆原创 Size and Forecast (2019-2030)
10 Middle East & Africa
10.1 Middle East & Africa Live Event Production Consumption Value by Type (2019-2030)
10.2 Middle East & Africa Live Event Production Consumption Value by Application (2019-2030)
10.3 Middle East & Africa Live Event Production 麻豆原创 Size by Country
10.3.1 Middle East & Africa Live Event Production Consumption Value by Country (2019-2030)
10.3.2 Turkey Live Event Production 麻豆原创 Size and Forecast (2019-2030)
10.3.3 Saudi Arabia Live Event Production 麻豆原创 Size and Forecast (2019-2030)
10.3.4 UAE Live Event Production 麻豆原创 Size and Forecast (2019-2030)
11 麻豆原创 Dynamics
11.1 Live Event Production 麻豆原创 Drivers
11.2 Live Event Production 麻豆原创 Restraints
11.3 Live Event Production Trends Analysis
11.4 Porters Five Forces Analysis
11.4.1 Threat of New Entrants
11.4.2 Bargaining Power of Suppliers
11.4.3 Bargaining Power of Buyers
11.4.4 Threat of Substitutes
11.4.5 Competitive Rivalry
12 Industry Chain Analysis
12.1 Live Event Production Industry Chain
12.2 Live Event Production Upstream Analysis
12.3 Live Event Production Midstream Analysis
12.4 Live Event Production Downstream Analysis
13 Research Findings and Conclusion
14 Appendix
14.1 Methodology
14.2 Research Process and Data Source
14.3 Disclaimer
NEP Group, Inc
Creative Technology
Luxe Fete
Production Resource Group
Tait
The AVent Techs, LLC
AV Leads
Catalyst Companies
Wise Productions
Live Event Video Productions
PCE
Encompass Event Group
Adlib Audio
AV Alliance
Production Plus
Best Events Productions
MKG
Event Solutions
JR Global Events
Evolve Activation
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*If Applicable.